Search Results for: Gail Haidon

Gail and her Bayeux Tapestry Panel

Hi again

This is the story of how one of our members Gail Haidon came to stitch a panel of the Bayeux Tapestry. In this post I’m just the WordPress scribe so here’s how it happened in Gail’s own words:

” I am married to a wargamer who has an abiding love of history and particularly military history.  This has led to a large and constantly expanding library of history books together with board games and hundreds if not thousands of small model figures.

William and Odo

Saxon

We have long cultivated a “live and let live” attitude to one another’s interests.  After all I have UFO’s (Unfinished Objects), and he has UFA’s (Unfinished Armies)!  Neither of us ever confesses just how many we have.

Many years ago, Ian obtained a copy of a book The Bayeux Tapestry: the complete tapestry in colour with introduction description and commentary by David M Wilson.

the-bayeux-tapestry

What was I thinking??

In an inexplicably weak moment I offered to embroider a replica of any part of the Tapestry he wanted thinking that I would have it ready for his 40th birthday.

Time wore on; I was going to have to (1) copy or trace a part of the Tapestry from the book, (2) decide whether to enlarge (the book shows the panels less than full scale), (3) source the linen, (4) select and source the correct weight and colour of the wool, (5) develop a legend of what stitches to use, with how and where to use them, and (6) get on with it!

I thought about it a bit but nothing happened.

Visiting Bayeux

Some time later we travelled overseas for almost three months and particularly in the UK, France and Belgium saw many battlefields and military museums such as:

Bosworth Field – site of the last significant battle of the Wars of the Roses

Culloden Moor – site of the final confrontation of the 1745 Jacobite Rising

Hastings/Battle – 1066 Battle of Hastings, Abbey and Battlefield site

The Somme, with the beautiful and sad countryside of the battlefields of the Western Front of World War 1, and where my great-uncle lies somewhere in an unknown grave

Bayeux – site of the Musée de la Tapisserie de Bayeux

bayeux-580x250

And many many others!

However, prior to that “big overseas trip” and knowing that a certain person was planning to see certain things I put my foot down and demanded that if I was going to be “dragged around half the battlefields of Europe” I was at least going to get to see the Bayeux Tapestry!

Bayeux Tapestry

Bayeux is an extremely pretty town in Normandy (northwestern France), and the tapestry (actually an embroidery) is beautifully displayed in its own museum.  There is a darkened, curved corridor with the Tapestry displayed at eye level in a way that people can get a really close look.

Copie-de-galerie-Tapisserie-de-Bayeux-avec-autorisation-speciale-de-la-ville-de-Bayeux_BD-580x250

It was amusing to see the number of people with faces squashed up against the glass, closely examining the stitching – surely some of them must have been embroiderers!  I felt sorry for the cleaners – there must be constant cleaning of finger, and nose(!) prints.  It can clearly be seen where areas of damage have been repaired and where different stitchers must have worked with looser and tighter stitching in different sections.

The Tapestry now is about 70 metres long with about fifty scenes embroidered on linen with coloured woollen yarns.  It is believed that it was commissioned by Bishop Odo (who was Bishop of Bayeux, and William the Conqueror’s half brother) for the Bayeux Cathedral, and probably made in a monastery in the south of England, not Bayeux, in the 1070’s.

In its almost 1,000 years of history it has miraculously survived having been rescued from being cut up for military wagon covers during the French Revolution and being confiscated for propaganda purposes prior to Napoleon’s planned invasion of Britain.  The Bayeux Council later displayed it damaging it in the process.  It is believed that at least two panels of the tapestry are missing at the end – up to another 6.4 metres. This missing area would probably have included William’s coronation and reign.

So how did I come to do my panel?  Well of course the last stop on leaving the museum is to go through the shop!  And lo and behold there were 1:1 scale kits with pre-printed linen, and coloured wools ready to go.

Bayeux Tapestry embroidery

Bayeux Tapestry Scene stitched by Gail Haidon

Stitching my Panel

So eventually it was back to Australia where I enthusiastically began.  I remember timing the first section I completed and estimating that there were about 240 hours of work to finish the entire kit.

Green bird on Bayeux panel stitched by Gail Haidon

Spear Thrower Detail from Bayeux Panel stitched by Gail Haidon

So time went by and as most embroiderers will know it grew in fits and starts spending periods in the cupboard with the other UFO’s.

Dog and Goat on Bayeux Panel stitched by Gail Haidon

Bird 2 from Bayeux Panel stitched by Gail Haidon

The pre-printed outlines must have been transferred from a photograph that included some creases so I had to embroider over some lines that do not exist on the original.  I eventually used a quilting frame rather than embroidery hoop to more conveniently hold the fabric.  Ian’s book was invaluable in showing the exact stitching as sometimes the instructions in the kit left a bit to be desired.

Two Birds of Prey on Bayeux Panel stitched by Gail Haidon

Cat on Bayeux Panel stitched by Gail Haidon

Bayeux Stitch

I learned a new stitch, “Bayeux stitch”, a laid and couched stitch which is an Anglo-Saxon variation of an ancient technique known as laidwork.  Although this is great for securely covering large areas I have sworn that I will never embroider another horse’s backside as long as I live!

Here’s what the stitch looks like:

Griffon on Bayeux Tapestry stitched by Gail Haidon

Griffon 2 on Bayeux Panel stitched by Gail Haidon

Dog 2 from Bayeux Panel stitched by Gail Haidon

Horse from Bayeux Tapestry

Bayeux Tapestry Horse stitched by Gail Haidon

The UK Embroiderers’ Guild has a useful guide to Bayeux Stitch which you can find here

Ian’s 40th birthday came and went and if he occasionally felt like complaining I would offer to teach him how to embroider!  I started to joke that if he was lucky he might receive it for his 90th birthday!  He actually received it in time for his 50th so I think it “only” took about 12 years from start to finish.

Two Horses on Bayeux Panel stitched by Gail Haidon

Military History of this Panel

And the reasons for selecting this particular panel?  Ian tells me that it documents a change in military tactics for cavalry in the early medieval period – from using spears overarm to underarm.  The cavalry using their spears overarm are Bretons:

Overarm Spears in Bayeux Panel stitched by Gail Haidon

and those underarm are Normans:

Cavalrymen leading Charge in Bayeux Panel stitched by Gail Haidon

The Norman infantryman leading the panel is unique and very special because he’s the only archer on the entire Bayeux Tapestry wearing chain mail. For this reason it’s believed that he may actually be a crossbowman.

Archer from Bayeux Panel stitched by Gail Haidon

Crossbows were very new technology at the time and those designing the Tapestry might not have known what they looked like. Although he’s not depicted with a crossbow scholars have noted that his arrow quiver is shown being carried on his hip as a crossbowman would have done.

The other archer is also shown with a bow but he’s carrying his arrows on his back – the standard protocol of the time:

Archer 2 on Bayeux Panel stitched by Gail Haidon

So there you are a famous historical embroidery complete with mysteries and differences of opinion about it and a number of replicas around the world.  Surely an excuse for another trip or two?

Gail”

Textiles in the Gold of the Incas Exhibition at National Gallery of Australia

On Saturday I went to see this exhibition and an unexpected delight were the stunning textiles. Some weaving and embroidery on show is around 2000 years old but retains its rich colouring. The extraordinary state of preservation of the textiles is due to the very arid desert conditions and the funerary rituals which saw mummies buried in deep shafts.

Here’s an example from the NGA website – the mantle with flying figures from the Paracas culture (700BC – 200 AD):

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You can see more examples and information here

For those of you interested in textiles, fashion and military history there’s going to be an interesting talk at the NGA on 22 March at 2.0 p.m. in the Fairfax Theatre. It’s called Fashion & War :Textiles & Clothing after the Incas & the Spanish Conquest of Peru and the speaker will be Dr Denise Rall from Southern Cross University. Denise is also a member of the Lismore & District group of the NSW Embroiderers’ Guild. You can read more about Denise here. Her book FASHION AND WAR in popular culture will be on sale from the gallery bookshop.

Enjoy!

Carmen

 

 

 

 

A Head’s Up on What’s Happening Here

Hi everyone

Sorry for the break in posts but we’re in transition to a new arrangement at the moment. I’ve been writing the Guild’s blog for the last 18 months or so and it’s time to hand over to someone else – in this case to one of the Guild’s very talented members Gail Haidon.

Doing this requires a lot of training in WordPress, prepping images for the web etc for Gail but she’s just about ready to get going with her take on the blog. Gail’s going to do the next post and then I’ll do a final one before handing over completely to her.

I’ve had a blast doing the blog and it’s inspired me to start my own writing about my stitchy and other adventures. You can find my blog at stitchrobin.com – hope to see you all there!

Carmen

Aussie Postcards


Hi everyone

In this post we’re going to share some more postcards from the 2014 Creative Challenge to re-interpret WW1 silk postcards. These all have an Australian theme which makes them very special.

The first one is by Jenny Clayton and features wonderful kangaroos made from bullion knots. It’s called Lest We Forget:

2014 Creative Challenge Postcard 2 by Jenny Clayton

Detail 1 of 2014 Creative Challenge Postcard 2 by Jenny Clayton

Detail 2 of 2014 Creative Challenge Postcard 2 by Jenny Clayton

The next two are by Gail Haidon and feature Australian flora. The first has the poignant title of Mother Dear and is a beautiful study of eucalyptus flowers:

2014 Creative Challenge Postcard 2 by Gail Haidon

Detail 1 of 2014 Creative Challenge Postcard 2 by Gail Haidon

The second is Birthday Wishes and showcases the lovely Kangaroo Paw;

2014 Creative Challenge Postcard 3 by Gail Haidon

Detail 1 of 2014 Creative Challenge Postcard 3 by Gail Haidon

Detail 2 of 2014 Creative Challenge Postcard 3 by Gail Haidon

Here are Gail’s notes for the background to these two postcards:

Inspired by watercolours painted by WA artist Rosetta Kelly (1864-1963) in memory of her son, Cyril, and the final card that he sent home, written on his 20th birthday.

And the next awesome postcard by Jan Hure also explores the themes of peace, hope and reunion through eucalyptus flowers. It’s called We’ll Meet Again:

2014 Creative Challenge Postcard by Jan Hure

Detail 1 of 2014 Creative Challenge Postcard by Jan Hure

Detail 2 of 2014 Creative Challenge Postcard by Jan Hure

Jan describes her starting point for this design as follows:

Designed to reflect Australian themes in similar fashion to early ones depicting the nations the soldiers came from

Val Woodward has created this next postcard to evoke the very human emotion of hope for peace in the face of war and to celebrate the Australian Lighthorse:

2014 Creative Challenge Postcard by Val Woodward

Detail 1 of 2014 Creative Challenge Postcard by Val Woodward

Detail 2 of 2014 Creative Challenge Postcard by Val Woodward

Val is a horse lover and this card was inspired by a family memento:

Finding a postcard from Egypt, dated Jan 1916, written by my husband’s great-uncle to his sister reminded me of those serving in the Egyptian campaign, particularly the Australian Lighthorse. Horses are not often mentioned in the remembrance of WWI

This next postcard by Kathy Pascoe has a very Art Nouveau and emblematic feel to it. It’s great example of ‘less is more’ and is called Australia is Home.

2014 Creative Challenge Postcard by Kathy Pascoe

Detail 1 of 2014 Creative Challenge Postcard by Kathy Pascoe

Kathy’s creative inspiration came from both traditional and personal sources:

The idea came from silk cards on the Australian War Memorial website. I thought it was an opportunity to use one of the buttons I inherited.

Hope you enjoy these very meaningful and beautiful postcards.

Carmen

Looking over Shoulders 11

Hi everyone

Hope you’ve had a good week & have set aside some special time for yourself over the weekend.

Next Monday the Guild’s weekly meetings will start up again so I thought you might like to see the pics I took of people’s work during the last morning meeting for 2014. Believe it or not this is only  a sample of all the stitchy goodness that was going on. The photos were taken with my phone so they’re not up to Stewart Bath’s wonderful standard but hopefully they’ll be good enough to give you an idea of the work.

I’m going to share the work with in the order that I took the photos.

This is an epic post so grab a cuppa or glass of wine and a comfy chair…….and here we go………

In the front room Ann Lond was working on this Hardanger cream square

Hardanger Cream Square in progress stitched by Anne Lond

Maddalena Gustin is trying her hand at Hardanger under Bonnie Crawford‘s careful guidance. Here’s the piece she was working on

Hardanger Diamond in progress stitched by Magda Gustin

Bonnie herself was working on this cream and blue rectangular piece

Hardanger Blue and White Runner stitched by Bonnie Crawford

Avis Gesling’s Hardanger had a pop of colour in aqua and mauve

Hardanger Acqua and Mauve Piece in progress stitched by Avis Gesling

Detail 1 of Hardanger Acqua and Mauve Piece in Progress stitched by Avis Gesling

While Elizabeth Hooper was having fun stitching some purple hearts

Hardanger Purple Heart Piece in progress stitched by Elizabeth Hooper

Detail 1 of Hardnager Purple Heart Piece in Progress stitched by Elizabeth Hooper

Now something completely different – a Goldwork dragon being stitched by Pat Bootland 

Dragon Goldwork in Progress by Pat Bootland

Detail 1 of Dragon Goldwork by Pat Bootland

Across the table Carol Van Gelder was having fun working on this too cute wool blanket with monkeys

Wool Blanket with Monkeys in progress stitched by Carol Van GelderNear her Lesley Fusinato was finishing this Canvaswork Christmassy house

Canvaswork Xmas House in Progress stitched by Lesley Fusinato

and Floriana Basilisco‘s tapestry was also getting some finishing touches

Tapestry Fish in Progress by Floriana Basilisco

Lesley Jemesen had a lovely Hardanger runner in her hoop

Hardanger in Hoop stitched by Lesley Jemesen

While Evelyn Foster was stitching a vintage embroidery

Vintage Embroidery in Progress stitched by Evelyn Fosterand Helen Nastopoulos had a cross stitch underway

Cross Stitch in Progress stiched by Helen Nastopoulos

In the room down the corridor Margaret Cooper was working on this piece

Cross Stitch Horse in Progress stitched by Margaret CooperKathy Pascoe had a bright Janlynn wallhanging underway

Blue Cross Stitch Wallhanging in Progress stitched by Kathy Pascoe

and Gwynyth Peddey had made amazing progress with Harlech Castle since we last saw it

Harlech Castle Cross Stitch in Progress by Gwynyth Peddey

Margaret O’Beirne was working on an intriguing Macedonian style embroidery from a class with Alison Snepp

Macedonian Style Embroidery in Progress stitched by Margaret OBeirne

While Gail Haidon was cross stitching these fun owls that just make you smile

Cross Stitch Owls in Progress by Gail Haidon

and Jan Hure was working on a very different kind of bird – a gorgeous Or Nue Superb Parrot from last year’s class with Pat Bootland

Or Nue Superb Parrot in Progress by Jan Hure

 Libby Williams was hand stitching this quilt with appliqué in felted wool

Quilt with Applique in Progress by Libby Williams

Detail of Applique from Quilt by Libby Williams

Back in the front room Janice Brennan was crocheting

Crochet by Janice Brennan

Janice also showed us a cool granny blanket she’d made during Show & Tell which got a huge response to its awesomeness. This detail doesn’t do it justice but at least it gives you an idea of its beauty

Detail of Crochet Rug by Janice Brennan

Trish Hyland was stitching some elegant Hardanger

Hardanger Diamond in Progress stitched by Trish Hyland This Happiness Quilt by Anne Dowling got lots of oohs and aaahs at Show & Tell

Happiness Quilt made by Anne Dowling

Cecilia Skene was upcycling curtain fabric to create these awesome needlecases for her granddaughters

Needlecase in Progress by Cecilia Skene

Needlecase 2 in Progress by Cecilia Skene

Needlecase 3 in Progress by Cecilia Skene

Needlecases 4 in Progress by Cecilia Skeneand adding a scissors fob for each one

Scissors Fob by Cecilia Skene

This Canvaswork by Judy Barton Browne has a real pop of colour

Canvaswork stitched by Judy Barton Browne

Detail 1 of Canvaswork by Judy Barton Browne

Another vibrant piece was this Book Cover designed by Luba Tomaska. Luba’s doing the Stitch a Month classes and this is her sampler of stitches in progress.

Sampler Book Cover in Progress by Luba Tomaska And last but not least is this amazing Or Nue Zebra design being stitched by Lorna Loveland also from the class with Pat Bootland

Or Nue Zebra in Progess by Lorna Loveland

Detail 1 of Or Nue Zebra in Progress by Lorna Loveland

Would you believe it’s her first Or Nue embroidery!

Enjoy!

Carmen

Postcards in Blue

Hi everyone

Hope you’re ready to see some more postcards from our 2014 Creative Challenge Stitching Love & Hope where members were asked to re-interpret WW1 silk postcards.

The four postcards featured in this post all have a common theme of blue flowers.

We’re going to start with a cool postcard of blue violets beautifully cross stitched by Janice Brennan:

2014 Creative Challenge Postcard by Janice Brennan

Detail 1 of 2014 Creative Challenge Postcard by Janice Brennan

Detail 2 of 2014 Creative Challenge Postcard by Janice Brennan

Now to Elvi McCann’s elegant postcard which features forget-me-nots in Brazilian embroidery. She’s adapted the design from Delma Moore’s The Book of Sunshine Treasures.

Elvi describes her inspiration as follows:

I was inspired by the story of how the forget-me-not flowers were named. It reminded me of mortally wounded soldiers in the battle field thinking of their loved ones, hoping they would not be forgotten.

On that very poignant note here are some photos of Elvi’s postcard:

2014 Creative Challenge Postcard by Elvi McCann

Detail 1 of 2014 Creative Challenge Postcard by Elvi McCann

Detail 2 of 2014 Creative Challenge Postcard by Elvi McCann

The next lovely postcard by Sarah Kimmorley features a charming basket design. Sarah’s postcard has a story as it’s based on a card sent from the front by one of her husband’s ancestors:

2014 Creative Challenge Postcard by Sarah  Kimmorley

Detail 1 of 2014 Creative Challenge Postcard by Sarah  Kimmorley -

Our fourth postcard is Gail Haidon’s delicate design which also features a basket of blue flowers. Gail’s background note on the postcard is:

Inspired by watercolours painted by WA artist Rosetta Kelly (1864-1963) in memory of her son, Cyril, and the final card that he sent home, written on his 20th birthday.

2014 Creative Challenge Postcard by Gail Haidon

Detail 1 of 2014 Creative Challenge by Gail Haidon

Detail 2 of 2014 Creative Challenge Postcard by Gail Haidon

Aren’t these cards just awesome?

Enjoy!

Carmen

 

Hydrangea Melody

Hi everyone

Today I’m sharing a really striking piece of wool embroidery beautifully stitched by Gail Haidon. You may remember Gail’s Bayeaux Tapestry panel featured here.

This particular design is called Hydrangea Melody and is from an Elsa Williams Heritage Collection Kit. I love the pop of colour from the blue and mauve shades:

Hydrangea Melody stitched by Gail Haldon

Detail 1 of Hydrangea Melody stitched by Gail Haldon

The blending of colours to create a dappled effect is just awesome. Not to mention the Whitework tablecloth.

Detail 2 of Hydrangea Melody stitched by Gail Haldon

Detail 3 of Hydrangea Melody stitched by Gail Haldon

Detail 4 of Hydrangea Melody stitched by Gail Haldon

And now for some close ups……

Detail 5 of Hydrangea Melody stitched by Gail Haldon

Detail 6 of Hydrangea Melody stitched by Gail Haldon

Enjoy!

Carmen

Looking over Shoulders 8

Hi everyone

Here I am back in Canberra which is amazingly mild for this time of the year.

The trip to Central Australia was a blast but I did feel a twinge at missing the Greenhills stitching weekend. By all accounts it was fantastic fun – lots of stitching, friendship, laughter, chat and good food.

Our wonderful Jillian Bath took lots of great photos for you……..if you want a closer look just click on the photo

Ruth was working on this bright appliqué

Ruth Applique

and Kathy Pascoe on this Canvaswork

Kathy Pascoe Canvas work

Pat Bootland was making progress on this Alison Cole Goldwork design

Goldwork by Pay Bootland

Tina Korda worked on her stitchery

Stitchery by Tina Korda

Stitchery 2 by Tina Korda

She also made this wool flower brooch in the special workshop

Wool Flower Brroch by Tina Korda

This delicate Brazilian embroidery was in Mercia Needham’s hoop

Brazilian Embroidery by Mercia Needham

and this one in Kay Reid’s hoop

Brazilian Embroidery by Kay Reid

Kay also found time to work on this stitchery

Stitchery by Kay Reid

Hazel Hunt was also working on a lovely piece of surface stitching

Hazel Hunt tablecloth

Hazel Hunt tablecloth 2

Gail Haidon is almost there with her wool embroidery project

Wool Embroidery by Gail Haidon

Anne Dowling had a couple of projects on the go – this Canvaswork with a real pop of colour

Canvaswork by Anne Dowling

Close up of Canvaswork by Anne Dowling

and this cute Christmas appliqué

Anne Dowling Applique

Diana Churchill was also working on a Christmas hanging

Diana Churchill Xmas hanging

A couple of people were stitching away on Crewel work – Pam Hynd on this softly coloured but complex pattern

Crewel work by Pam Hynd

and Claire Westley on this detailed design

Crewel work by Claire Westley

Antoinette Stojadinovic had her feet up knitting a scarf – look at those cool red shoes!

Antoinette knitting scarfand this funky cat being stitched by Lel Whitbread

Lel Whitbreads Cat

Liz Bell was cross stitching this elegant alphabet

Cross Stitch by Liz Bellwhile Margaret O’Beirne was working on this super cute owl and friends

Cross Stitch by Margaret OBeirne

Sarah Kimmorley was making progress on her postcard

Stitchery by Sarah Kimmorley

This retro Blackwork project of Susan Coates is very striking

Susan Blackwork

as is this quilt that Lynn Burgess was working on

Lynn Burgess Quilt

A traditional Deerfield design was emerging from Fran Novitski’s hoop

Deerfield by Fran Novitski

While Sue McLean was tatting

Tatting by Sue McLean

and Lesley Jemesen was doing Hardanger

Hardanger by Lesley Jemesen

as was Rosemary Daniels

Hardanger 2 by Rosemary Daniels

A mystery person had finished this pile of crochet squares – if someone can let me know a name I’ll add it to this post

Crochet squares

Workshop on Paper Folding

As well as doing an awesome job of organising this stitching weekend Brenda Phillips also taught a Paper Folding workshop. Here’s a quick peek

paper folding 3

 

paper folding 2

Paper folding 1

Paper folding 4

A big thanks to Brenda and Jillian for all their hard work.

Enjoy!

Carmen

Looking Over Shoulders 7

Hi everyone

This time it’s the turn of the morning group. These photos were taken with my iPad at the last couple of meetings at Gorman House.

You have Julie Knight to thank for the fact that I’ve done these two recent Looking over Shoulders posts. She was wearing this very striking necklace and I asked her about it….

Necklace 1 by Julie Knight

Turns out she was so inspired by the Kim Thittichai Workshop (held at the Guild at the end of March) that she was experimenting with using Kim’s technique to bond embellished Vliesofix to leather and this necklace was the result. A-M-A-Z-I-N-G! So I had to share it with you…

I would never in a million years have guessed that this surface was Vliesofix – it looks like a hard plastic or resin. Kim has written an account of the workshops at our Guild here.

Julie is incredibly creative and productive and had made not one but three necklaces. Here are the other two:

Necklace 2 by Julie Knight

Necklace 3 by Julie Knight

When she wasn’t being asked to show her necklaces to people she was stitching the ladybug embroidery on this sweet baby dress

Pink Baby Dress with Ladybug stitched by Julie Knight

Irene Burton was putting the finishing touches to this doll dressed in very pretty Hardanger:

Hardanger Doll by Irene Burton

Like Julie she’s also incredibly productive and had these three crocheted bags sitting on the table beside her sewing kit:

Crocheted Bag2 by Irene Burton

Crocheted Bag 1 by Irene Burton

Crocheted Bag 3 by Irene Burton

Dimity Manton was also into crochet working away at this granny square:

Granny Square in Progress by Dimity Manton

Nearby Evelyn Foster was making up these Christmas squares that Helen Nastopoulus had stitched:

Xmas Squares stitched by Helen Nastopoulus

She was using this dainty needlecase machine stitched by her cousin.

photo 22

Kay Reid came back from her recent embroidery cruise all enthusiastic about Brazilian embroidery:

Brazilian Embroidery in progress stitched by Kay Reid

I couldn’t resist taking another photo of this lovely wool embroidery that Gail Haidon is working on:

Wool Embroidery of Hydrangeas stitched by Gail Haidon

Ann Lond was tatting this lace border for a vintage tablecloth to replace one that’s become too frayed:

Tatting by Ann Lond

She also had with her a large Chicken Scratch tablecloth that she’s embroidered for the Canberra branch of the Country Women’s Association. It was way too large to photograph so I focussed on these couple of elements:

Chicken Scratch Triangle by Ann Lond

Chicken Scratch Border by Ann Lond

At the other end of this table Louise Willey was stitching this celtic design in Canvaswork:

Celtic Design Canvaswork in progress by Louise Willey

Trish Hyland was chatting away to her and progressing this delicate Hardanger diamond:

Hardanger Diamond in Progress stitched by Trish Hyland

While Meryl Fellows was also stitching away at another one of her wonderful Hardanger pieces:

Hardanger in hoop stitched by Meryl Fellows

Jenny Clayton’s cute bullion scoops of ice cream on a baby’s onsie made me smile:

Bullion Ice cream on babygro stitched by Jenny Clayton

Beside her Janice Brennan was stitching the elements of another Diana Lampe design:

Diana Lampe design with Wattle stitched by Janice

The wattle tree really adds a pop of colour:

Wattle detail from Diana Lampe design stitched by Janice

And now for some cross stitch:

The big lazing cat that Joyce Lynch is embroidering is coming to life:

Cat x stitch in progress by Joyce Lynch

As is Doreen McGregor‘s butler:

Butler x stitch by Doreen McGregorMeanwhile Gwyneth Peddey was working on this imposing view of Harlech Castle.

Harlech Castle X stitch by Gwyneth Peddey

Enjoy!

Carmen

 

Looking Over Shoulders 5

 

Hello again everyone

I’ve been busy with my iPad over the last couple of weeks taking pics as I look over people’s shoulders at the Monday morning and evening meetings.

To the members of the Guild thanks so much for sharing your work and being so patient with me as I whisk away your work to take a pic.

This post comes with its own warning – it’s a mega post just in case you need to get a cup of coffee or tea…….

Here goes……

Irene Burton is incredibly fast at finishing work – look what she’s done in the last couple of weeks:

Granny Square

Granny Square crocheted by Irene Burton

Blue Crochet Bag by Irene Burton

Ballroom Dancers x-stitched by Irene Burton

I love the sparkly bits on the dancer’s dress – they add something special. What do you think?

We had two special visitors on Monday

Margaret Kilby from Ottawa is working on this lovely field of red poppies:

Red Poppy in Progress x-stitched by Margaret Kilby

and Dee Glenn from the USA on this elegant quilt:

Quilt in Progress by Dee Glenn

While we’re talking about quilts here’s where Dorothy Rudland is up to with her butterfly quilt:

Butterfly Quilt in Progress by Dorothy Rudland

Detail of Butterfly Quilt in Progress by Dorothy Rudling

and Lee Scott  is finishing the crazy quilt block she started on her recent stitching cruise around New Zealand:

Crazy Quilt Block by Lee Scott

You’ve seen this crazy quilt block that Fran Novitski has been working on in previous posts so here it is finished and very cleverly turned into a folder cover:

Crazy Quilt Folder by Fran Novitski

Julie Knight who is just the most creative person across a range of media was showing us the pieces she’d entered into the Canberra Show last month. Just look at this awesome baby doll – don’t you just want to pick her up and give her a big cuddle?

Baby Doll by Julie Knight

Her other pieces were this baby’s outfit

Baby Dress by Julie Knight

and this silk ribbon embroidery

Ribbon Embroidery in frame by Julie Knight

Shona Phillips has also been adding some ribbon embroidery to this retro design:

Lady with Roses Silk Flowers in Progress by Shona Phillips

while Pat Bootland is stitching away on a new piece inspired by a Sydney Long painting in the National Gallery of Australia.

Woman Piper by Pat Bootland

Floriana Basilisco finished this embroidery for a cushion

Surface Embroidery in progress by Floriana Basilisco

This piece is a bit deceptive because the painted green background suggests you’re looking at appliqué when in fact it’s surface stitching.

Floriana’s now started on this filet inspired by similar pieces she saw on her last trip back to Italy

Filet in Progress by Floriana Basilisco

Near her Catharina Koopman was working on this cross stitch

Sogno in Progress x-stitched by Catharina Koopman

Gail Haidon was working away at this stunning piece of wool embroidery that you’ve seen in an earlier post

Wool Embroidery by Gail Haidon

and Lesley Fusinato has started another block of her super cute French mouse Monet quilt

Monet Mouse Quilt Block by Lesley Fusinato

Jan Senti has finished her too cute bear stitched with mingled threads to give a ‘tweed’ effect

Teddy Bear x-stitched by Jan Senti

and now she’s onto Sashiko

Sashiko in Progress by Jan Senti

On Monday night Sarah Kimmorley was painstakingly counting threads for the tassels on a baby blanket

Preparing Tassels by Sarah Kimmorley

While Jenny Balderson was adding the finishing touches to her Stitch of the Month book cover

Stitch of the Month Sampler in Progress by Jenny Balderson

Now if you love Hardanger and drawn thread work here’s some eye candy for you that various members are working on

Lesley Jemeson

Hardanger in Progress by Lesley Jemesen

Germaine Esther

Hardanger in Progress by Germaine Esther

Nan Horne’s Ukrainian work

Ukrainian Embroidery in Progress by Nan Horne

Here’s a corner of a large Hardanger tablecloth that Brenda Phillips is making as a raffle prize for a special birthday of the Yass Country Women’s Association – we all want to win it!

Hardanger Tablecloth Corner by Brenda Phillips

Mmm I have to apologise to the owner of this Hardanger piece in progress as I can’t read my scrawled notes – so if you recognise it please let me know and I’ll add your name

Blue and Cream Hardanger by

For something completely different check out the progress that Sharon Boggon has made on her contemporary piece

Contemporary Embroidery in Progress by Sharon Boggon

and Agnes Sciberras on her very evocative seascape

Contemporary Seascape by Agnes Scibberas

Margaret Roberts is almost finished her Australian landscape and is looking for feedback and ideas on whether she should put something at the foot of the tree – so your comments would be very welcome…

Landscape in Progress by Jenny

For the history buffs among you here’s the Millennium Sampler being worked on by Jan Prowse

The Milennium Sampler in Progress by Jan Prowse

Detail of Milennium Sampler by

while Patricia has started this panel of the Bayeux Tapestry and was showing me her Bayeux Stitch

Edward the Confessor Panel from Bayeux Tapestry by

Detail 2 of Bayeux Tapestry Panel in Progress by

If you’re a fan of Diana Lampe’s designs then you’re in luck because two members are working away on very similar pieces. In the morning group Janice Brennan was finishing this design

Diana Lampe Embroidery in Progress by Janice Brennan

and in the evening group Rosie Collis is just about finished this

Diana Lampe Embroidery in Progress by Rosie Collis

There’s also lots of cross stitch going on

Ruth Jackson

Geometric Square x-stitched by Ruth Jackson

Delma Burgdorf

Coffee Cups x-stitched by Delma Burgdorf

Barbara Bailey 

Cottage in progress x-stitched by Barbara Bailey

Anne Small 

X-stitch in progress by Anne Small

and Samantha Benda

Bouquet of Flowers x-stitched by Samantha Benda

Threadpainting always generates a lot of interest at our annual exhibition and on the Members Gallery so here’s a lovely violet by Ros Stanford

Violet Threadpainting by Rosa Stanford

There’s the same kind of delicacy but a very different technique in these Stumpwork elements that Margaret Cooper is working on

Stumpwork in Progress by Margaret Cooper

Evelyn Foster is working on this winsome Trish Burr miniature

Trish Burr Miniature in rogress by Evelyn Foster

While Mary Doherty is almost finished a block for our Sunbonnet Sue quilt

Sunbonnet Sue Quilt Block by Mary Donohue

For a pop of colour have a look at these pieces by Jan Hure

by Jan Hure

Polly Templeton 

Canvaswork in Progress by Polly Templeton

and Diana Churchill

Surface Embroidery in Progress by Diana Churchill

Surface Embroidery in Progress 2 by Diana Churchill

We’re going to end on a Christmassy note with this stocking being stitched by Carol Van Gelder

Xmas Stocking in Progress by

and Glenda Hudson’s fun button Christmas Tree from the Creative Group workshop

Button Xmas Tree by Glenda Hudson

Enjoy!

Carmen

Looking Over Shoulders 3


Hi there again

The Guild started up for 2014 on Monday. Lots of people still on holidays so numbers were well down but there was some wonderful work in progress. Here’s a sample of what was happening:

Agnes Sciberras was working on this stunning contemporary seascape:

Agnes Sciberras - Contemporary Seascape in Hoop

The scene is from a photo she took down the South Coast of NSW around Narooma. If you want to look in more detail just click on the photo.

And here’s a closer look at the beautiful materials and stitching…

Agnes Sciberras - close-up of South Coast Seascape in Progress

 Ann Lond was meticulously stitching a Hardanger runner in a soft sage colour:

Anne Lond - Green Hardanger Runner in Progress

Here are the edges she was finishing:

Anne Lond - Green Hardanger Runner Edges in Hoop

And here are a couple of the ones she’s already done:

Anne Lond - Finished Edges on Green Hardanger in Progress

Barbara Adams fingers were flying as she progressed these Candlewicking blocks for a quilt:

Barbara Adams - Candlewick Rooster in Progress

Barbara Adams - Candlewick Dog

Barbara Adams - Candlewick Rabbit in Progress

Aren’t they cute?

On the other side of the table Val Woodward was creating this lovely Canvaswork piece in blue and turquoise:

Val Woodward - Blue and Turquoise Canvaswork in Progress

Next to her Pat Bootland was developing the latest of her inspiring Or Nue designs:

Pat Bootland - Or Nue of Man at Window in Progress

Pat is so skilled that she makes it look straightforward – just awesome!

And in her usual spot at the end of this table Ann Small was expertly cross stitching this challenging design:

Anne Small - Country Store x stitch on hoop

At the next table Kathy Pascoe was adding more roses to her vibrant tablecloth:

Kathy Pascoe Purple Tablecloth with Yellow Rose

While Margaret Cooper was creating these delicate Stumpwork elements:

Margaret Cooper  Stumpwork leaves etc in hoop

Meanwhile on the other side of the table the precise geometry of this Canvaswork was emerging from the expert stitching of Margaret O’Beirne:

Margaret OBeirne  Purple Canvaswork in Hoop

Across the way Evelyn Foster was showing us the Contemporary Whitework she’d just finished as part of her online course with Karen Ruane:

Contemporary Whitework by Evelyn Foster

And here’s the other side:

Reverse side of Contemporary Whitework by Evelyn Foster

This is Evelyn’s own design and is just wonderful!

She’d also stitched this needlecase for one of her friends on the table:

Evelyn Foster - Friends by Choice

Not far away a handsome cat was emerging from Joyce Lynch’s cross stitch:

Joyce Lynch - back of x stitch cat

And Helen Nastopoulos was stitching these cool mice:

Glenda Hudson - mice x-stitch

Sitting next to her Ruth Jackson showed us this endearing koala:

Ruth Jackson - x-stitch koala softie

Don’t you think he’s got great personality?

She’d also finished this cheeky cross stitch:

Ruth Jackson - Women and Men Communication x-stitch

and was working on this:

Ruth Jackson - X stitch Alphabet

A bit further around Gail Haidon was embroidering this colourful and softly delicate design:

Gail Haidon Blue and White Wool Embroidery in Progress

Here are these gorgeous blues in more detail:

Gail Haidon - Blue Wool Embroidery close up

Not far away Margaret Lamond was adding flowers to this brilliant piece:

Margaret Lamond - Gold embroidery in progress

At the next table Lesley Fusinato was creating another of her super cute mice – this time a little French mouse:

Lesley Fusinato - French mouse in hoop

Chatting quietly to Lesley was Margaret Roberts who was busy choosing colours for the next section of her contemporary landscape:

Margaret Roberts - Contemporary Landscape

I love the way she’s evoked the sense of part of the scene in sunlight and the rest in shadow – it adds realism to a striking design.

As I was walking out of the room I caught sight of Sue Scorgie with this Diana Lampe design in her hoop so I grabbed my Ipad and took these pics:

Sue Scorgie - Diana Lampe Design in Hoop

I wanted a closer look at the wisteria she was stitching so you get one too:

Sue Scorgie - Close up of Diana Lampe design in hoop

Enjoy!

Exhibition of Miss Fisher’s Costumes

For the fans of the sumptuous costumes in the Australian TV series Miss Fisher’s Murder Mysteries there’s great news. They’ll be on show at Old Government House Parramatta from 1 March to 1 June 2014 – here’s the link to the National Trust’s website. Thanks to Sarah Kimmorley from our evening group for the head’s up.

Bye!