Greenhills 3

Well, it’s been a while but it’s time to catch up with the rest of the photos from our annual stitching weekend at Greenhills Conference Centre.

Greenhills cockies 1Greenhills cockies 2

 

 

Greenhills magpie

More wildlife at Greenhills 2015.  The sulphur-crested cockies were on the lookout for seeds left out by the kitchen staff.  The magpie felt left out, but was not brave enough to take on the cockies.

 

Jeanette at Greenhills 2015

 

 

Jeanette was happy for me take this photo of her wearing her lanyard made at Stitching on the Lake, a class with Fiona Horden and SylviaFrazer.

 

 

 

 

There was plenty of cross stitch happening, with a confession or two that that there are UFO’s that may have spent some time languishing in cupboards between episodes of activity.

Cherry Blossom Waterfall, counted cross stitch by Margaret Kelemen

Cherry Blossom Waterfall, counted cross stitch by Margaret Kelemen

Counted x stitch by Polly Templeton

Thea Governeur counted cross stitch kit by Polly Templeton

Counted x stitch by Tracey Kent

Great Dixter, Northiam, East Sussex counted cross stitch kit by Tracey Kent

Counted x stitch horse 1 by Anne Hazell

Country Horses, Anchor counted cross stitch kit by Anne Hazell

Counted x stitch horse 2 by Anne Hazell

Counted cross stitch by Anne Hazell

Counted x stitch Xmas card panels by Tina Korda

Tina Korda was working on counted cross stitch panels for Christmas cards

 

As a change from embroidery, there was some crochet and knitting going on.

Crochet squares by Ellen Tynan

Crochet squares by Ellen Tynan

Knitted tea cosy1 by Diana Churchill

Cleckheaton pattern for pineapple tea cosy

Knitted tea cosy2 by Diana Churchill

Pineapple tea cosy by Diana Churchill

 

Diana has told me that this will be for the teapot used for peaceful cups of tea at a special place in her garden.

 

 

Pam Hynd was working on this exquisite Jacobean Embroidery work, threadpainting using DMC threads, from Sarah’s Hand Embroidery Tutorials.

Jacobean work 1 by Pam Hynd Jacobean work 2 by Pam Hynd Jacobean work 3 by Pam Hynd Jacobean work 4 by Pam Hynd Jacobean work 5 by Pam Hynd

 

 

 

 

 

 

 

 

 

 

 

 

Polly Templeton also worked on this Japanese Beading project, from a class by Margaret Lee.

Japanese beadwork 2 by Polly TempletonJapanese beadwork 1 by Polly Templeton

 

 

 

 

 

 

 

 

Sarah Kimmorley was working on this Crewel piece that came from a class by Carolyn Pearce.

Crewel work 3 by Sarah KimmorleyCrewel work 1 by Sarah KimmorleyCrewel work 2 by Sarah Kimmorley

 

 

 

 

This floral drawstring bag, designed by Sylvia Fraser, was being worked on by Rhonda Howlett.

Floral drawstring bag 1 by Rhonda Howlett Floral drawstring bag 2 by Rhonda Howlett

 

 

 

 

 

 

 

Jenny Balderson was working on her Bayeux Tapestry panel.

Bayeux Tapestry panel1 by Jenny Balderson Bayeux Tapestry panel2 by Jenny Balderson Bayeux Tapestry panel3 by Jenny Balderson

 

 

 

 

 

 

We have had a previous blog about the Bayeux Tapestry, which you can find here.

 

Claire Westley worked on her Portugese Whitework, and some Canvaswork which came out of a NSW Embroiderers’ Guild class on basic embroidery techniques.

Canvas work by Claire Westley Porugese whitework by Claire Westley

 

 

 

 

 

 

 

Pincushion panel by Di Ballantyne

A sweet little panel for a pincushion by Di Ballantyne.

 

 

 

 

 

 

 

Even more creativity with this applique panel, pattern entitled Cairo Rug Makers, by Kate Ross.

Cairo rug makers applique panel by Kate Ross

 

And coasters created by Susan Douds, painted with acrylic paints and sealed.

Coasters by Susan Douds

 

This panel was being prepared by Libby Williams, to be embellished with Goldwork.

Panel ready for embellishment byBerry Quilting Exhibition

 

 

Libby’s panel of an embellished Angel has been used in the advertising for this year’s Berry Quilting Exhibition.

 

 

 

 

Well, that’s the end of my notes from Greenhills 2015, I hope you enjoyed the creativity and variety, and a big thank you to Brenda Phillips for her great job in organising another fun stitching get-together.  If I’ve missed anyone, I apologise, but at least no-one can say that we sat around just eating and talking!  Look out for Greenhills again next year – members and friends, both old and new, are always welcome for a day, or the whole weekend.

Gail

 

 

 

 

 

 

Textiles in Canberra

After my Stitching Delights in Melbourne blog post, I thought “what about all the stitching delights in and around Canberra?”  Some people know that I spend a bit of time at the Australian War Memorial, where there are numerous examples of textiles and embroidery, such as:

Tapestry @ AWM Based on oil painting by Imants Tillers

Tapestry @ AWM
Based on oil painting by Imants Tillers

 

This tapestry, entitled Avenue of Remembrance, was commissioned by the AWM from the Australian Tapestry Workshop, and completed in 2015.

It is based on an oil painting by Imants Tillers, and took master weavers over 2,380 hours to complete. The poetic landscape is reminiscent of wartime roads on the Western Front, and the many Avenues of Remembrance planted around Australia after the end of the First World War.

Tapestry @ AWM Based on oil painting by Imants Tillers

Tapestry @ AWM
Based on oil painting by Imants Tillers

 

 

 

If you would like to find out more about the making of this beautiful work of art, click here, where you can see the full scale and detail of the work.

 

 

 

 

Have you heard of The Digger’s Dress?  It was made by three double amputees while they were in hospital in London during the First World War, and presented to Mrs Minnie Rattigan, one of the founders of the “ANZAC Buffet”, which provided free meals and entertainment to Australian servicemen.

The Digger's Dress  @ AWM

The Digger’s Dress @ AWM

The tabard features hand embroidery, and the skirt has appliqued unit colour patches. More detail can be found here.

That’s just a very small taste, so here’s a challenge – visit the Australian War Memorial, and look for some of my favourites:  patriotic crocheted milk jug cover; Rising Sun flag hand embroidered by veteran in hospital; woollen army blanket covered with embroidery by WW2 prisoner of war;  and much, much more on display.  Warning: might entail more than one visit!

And while I’m talking about the AWM, and it’s school holidays, there are some Drop-in Craft sessions, where children can enjoy making their own colour patch, bookmark, or poppy to take home.

Women employees of the Australian Glass Manufacturing Company inspecting their knitting, part of their donation to the Woollies for Britain Appeal. 1944 (141750)

Women employees of the Australian Glass Manufacturing Company inspecting their knitting, part of their donation to the Woollies for Britain Appeal. 1944 (141750)

And not bragging or anything, but our own Guild has participated in a number of Projects of National Significance.  Which reminds me, we must add Princess Charlotte’s Blanket to the list.

Enjoy!

Gail

Greenhills 2

Greenhills kangaroos

As promised, here is the second instalment on the fun and creativity at our annual stitching weekend.  The mother kangaroo and her joey were spotted on the lawns while we were outside at afternoon tea.

 

Blackwork by Christine Bailey

Blackwork by Christine Bailey

 Deceptively simple, Christine Bailey says small blackwork samplers are quick and easy to do.

 Susan Douds brought her Blue Wren, designed by Lesley Turpin-Delport, which Susan had started in a workshop at Beating Around the Bush in Adelaide.  In these photos Susan had just finished the ribbon embroidery and had started inserting some real “whispy” feathers.

Blue wren 1 by Susan Douds

Blue wren 1 by Susan Douds

 

Blue wren 2 by Susan Douds

Blue wren 2 by Susan Douds

 

 

 

 

 

 

 

 

And here is the finished result, a spectacular example of mixed-media, dimensional embroidery.

Blue Wren worked by Susan Douds

Blue Wren worked by Susan Douds

 

Sadly I didn’t manage to get a photo of the real blue wren (also known here as fairy wren) family that was playing in the bushes outside, so here is a picture from the CSIRO.  The girl is the dull brown, and the boy gets the fancy plumage!

blue wrens

Jillian Bath had brought in another Lesley Turpin-Delport design, Nesting Weaver.  If you’d like to find out more about this designer and her designs, click here.

Nesting Weaver 1 by Jillian Bath

Nesting Weaver 1 by Jillian Bath

Nesting Weaver 2 by Jillian Bath

Nesting Weaver 2 by Jillian Bath

 

 

 

 

 

 

 

Jillian always seems to have a selection of lovely accessories with her whenever I see her.   Just how many do you have, Jillian?  Never mind, don’t confess anything…

Jillian Bath accessories 1Jillian Bath accessories 2

 

 

 

 


 

Smocking by Liz Bell

Smocking by Liz Bell

 

 

Liz Bell had moved on to some smocking

 

 

 

 

 

Robin by Libby Williams

Robin by Libby Williams

 

 

 

And Libby Williams was working on this Nicola Jarvis Studio design, a Morris-inspired crewel work

 

 

 

Towel with roses by Alice Keeley

Towel with roses by Alice Keeley

 

 

Then Alice Keeley was busy working on small towels to become Christmas gifts.  Isn’t it lovely that ready-made rosettes combined with simple stitches create something so effective?

 

 

 

There was also plenty of Hardanger happening around the tables…

Lel Whitbread and Susan Coates were working on a project from Hardanger for the Horrified (great name!) by Jane Greenoff

Hardanger by Lel Whitbread

Hardanger by Lel Whitbread

Hardanger by Susan Coates

Hardanger by Susan Coates

 

 

 

 

 

 

 

 

Hardanger by Lesley Jenesen

Hardanger by Lesley Jenesen

Hardanger by Tina Korda

Hardanger by Tina Korda

 

And some more Hardanger by Lesley Jenesen, Tina Korda, and Brenda Phillips

 

 

 

 

 

Hardanger cloth by Brenda Phillips

Hardanger cloth by Brenda Phillips

 

Margaret O’Beirne was working on a canvaswork kit Tuscan Midnight by Kathy Rees of Needlelights Originals.

Canvaswork 1 by Margaret OBeirne

Canvaswork by Margaret O”Beirne

Canvaswork by Margaret O"Beirne

Canvaswork by Margaret O”Beirne

 

 

 

 

 

 

 

Kay Reid had brought in a canvaswork begun on her latest cruise.

Canvaswork by Kay Reid

Canvaswork by Kay Reid

There was just so much going on at Greenhills, I think I’ll have to go on to a third blog, but finally for this one, just another taste of Ruth Ellis‘s fabric baskets.

Basket by Ruth Ellis

Basket by Ruth Ellis

Basket by Ruth Ellis

Basket by Ruth Ellis

 

 

 

 

 

 

 

 

 

 

Have a great stitching weekend.

Gail

 

 

 

Stitching Delights in Melbourne

I had a few days in Melbourne recently, and had to share with you some delightful stitching experiences.

The Embroiderers Guild, Victoria – open day

It happened that the Guild was having an open day at Embroidery House in Malvern, so how could I resist?

Embroidery House 1 VicEmbroidery House 2 VicEmbroidery House 3 VicEmbroidery House 4 Vic

I’m sure that embroiderers anywhere would be thrilled to have such a wonderful creative environment!  Once I had overcome my envy, I was made very welcome by President Anne and other members, and joined the throng of visitors to admire the demonstrations of different machine and hand embroidery techniques.  As seems to be the case with embroiderers everywhere, members were busy generously sharing their enthusiasm and knowledge, and here is just a small sample:

Machine embroidery  Embroidery House 7 Vic

 

Embroidery House 6 Vic

 

 

 

 

 

 

Embroidery House 5 Vic

Sandra Warren Smith introduced me to the delights of Lefkara Embroidery, which is a traditional embroidery technique from Cyprus also known as Lefkara Lace, or Lefkaritika.  Mmm, will have to investigate this one further, starting here.

 

 

 

 

Embroidery House 9 VicSandra told me that books on this technique are few and far between, so here is one by Androula Hadjiyiasemi.  I will be checking our own Guild’s library, plus those talented members who do Hardanger and all kinds of drawn thread, needlelace etc..

 

 

 

 

 

I had to tear myself away, but not before buying a couple of things from the book sale (you can never have too many embroidery books).   On the way out, I noticed that even the doorplates have embroidery, sigh.   If you’d like to find out more about The Embroiderers Guild,Victoria, Australia, click here.

Embroidery House 8 Vic


Then it was on to the National Gallery of Victoria, for the exhibition Exquisite Threads: English Embroidery 1600s – 1900s, showcasing examples of English domestic and professional embroidery from the NGV’s own collection, plus from private collectors, the National Gallery of Australia, the Melbourne Diocesan Historical Commission, and members of The Embroiderers Guild, Victoria.  Non-flash photography allowed, yippee!

Exquisite Threads 3Exquisite Threads 4

 

 

 

 

 

 

 

Used for apprentice embroiderers to learn stitches, as recording of stitches and patterns for domestic embroidery, then an important part of the education of young women, samplers in the exhibition dated from 1692 to 1932.

Exquisite Threads 5

Sorry about the quality of my photo of this Wessex embroidery sampler, completed by Margaret Foster in 1932, but I couldn’t resist the opportunity to digress into mentioning our Guild’s classes on WESSEX STITCHERY with Annette Dziedzic.

Wessex Stitchery

Please note that the dates have been changed for this class, now on 11 and 25 July, with preparation on 6 July, but keep checking our web site here any time you would like to check out our classes schedule.  I hear that Robyn Duncan, our Classes Co-ordinator, already has an exciting list of internal and external tutors coming up for 2016.

But back to the exhibition.

Exquisite Threads 1Exquisite Threads 2

 

 

Here we have a Privy Councillor’s uniform from 1939, and an ecclesiastical cope made in 1853.

 

 

 

 

Exquisite Threads 6 Exquisite Threads 7 Exquisite Threads 8

 

 

 

 

 

 

 

 

A waistcoat from the 1770’s, an evening cape circa 1924, and a pelisse and dress circa 1818.

 

Exquisite Threads 9 Writing box, circa 1665

 

 

 

 

 

I’m thrilled to bits with the book from the exhibition, which gives background details of the items, embroidery history from different periods, and close-up photographs showing beautiful detail.  I believe that this exhibition will not be touring, but will be on at the NGV International until 12 July, so if you can get there, it’s well worth a visit – see the details here.


Then I had to go back to the NGV International, to see A Golden Age of China, Quianlong Emperor, 1736-1795.  On loan from the Palace Museum, Beijing, it included a selection of magnificent items from the collections of this emperor, and it was truly wonderful to be able to see both front and back of silk embroidered robes.

Emperor’s ceremonial court robe Qing dynasty, Quianlong period 1736-95 silk satin The Palace Museum, Beijing (Gu42311)

No photos were allowed in this exhibition, but once again the book gives excellent information and photography.  Sadly, this exhibition finished on 21 June, but you can see more information here.


You thought I was finished?  No way, read on…

Then it was off to the Miss Fisher’s Murder Mysteries Costume Exhibition, at Rippon Lea House and Gardens, the National Trust property that is used as Aunt Prudence’s house in the TV series.  People who are especially interested in the costumes for this series, based on the novels by Kerry Greenwood, will know that Marion Boyce, costume designer, and Every Cloud Productions, use collected vintage items to re-create the fashion fantasies of the late 1920’s.

Miss Fisher 1Miss Fisher 2

 

 

 

 

 

 

Miss Fisher 3Miss Fisher 5Miss Fisher 6

 

 

 

 

 

 

 

Miss Fisher 4

Fans of the TV show will recognise these outfits from the latest series.  There was also a behind the scenes workroom exhibit, showing how costumes were constructed, and genuine 1920’s accessories, part of Marion Boyce’s personal collection.

Miss Fisher 7Miss Fisher 8

 

 

 

 

 

Yes, of course there is a book with detailed descriptions and gorgeous photos.  But then it was time for afternoon tea, still in 1920’s character, in the stable building.

Miss Fisher 9

You’re in luck if you need time to get to this one, as it’s on until 30 September 2015, and will tour to other cities.  For more information, click here.


And the WW1 Centenary Exhibition, on at the Melbourne Museum until 16 August, details here.

IWM 1More uniform goldwork.

 

 

 

 

IWM 2Would you believe this is made of paper?

IWM 4IWM 3

Ambulance officer uniform, and detail


Finally, the Shrine of Remembrance, Melbourne, open all year, including the museum beneath, details here.

Shrine 1

There are textiles everywhere, including this copy of the Battle of Britain lace, circa 1942-47.

Shrine 2 Battle of Britain LaceShrine 3 Battle of Britain Lace

I’m sure I could have found more stitching delights, but only had a few days, and needed to come home for a rest!

Gail

Greenhills 1

Greenhills 2015 panorama

Greenhills 2015 panorama

The Guild’s annual stitching weekend was on again in May at the Greenhills Conference Centre, where members and friends got together for fun with stitching (actually, anything “crafty”!) from Friday evening until Sunday afternoon.  It was a great success, with stitching, conversation, food, stitching, conversation, food, stitching, conversation, food….  you get the idea.  And yes, that is frost on the grass first thing in the morning, but most of us were tucked up nice and warm, apart from the intrepid people who managed to fit in a jog or two in the beautiful bushland surroundings.

Friday evening, and some people were all set up and raring to go, fortified by a glass of some bubbly stuff, and  Liz Bell was easing herself into things with some knitting.  My lips are sealed regarding the identity of the person who arrived having left behind her bag of clothing, but at least she brought the most important thing, her needlework!

Fri night2 GreenhillsLiz Bell GeenhillsFri night3 Greenhills

 

But in case you thought that it was all eating, drinking (seriously, it was mostly tea, coffee or water), and making merry, here is a glimpse (in no particular order) of what some people worked on over the weekend.

Petit point dragon 1 by Anne Stewart

Anne Stewart was working on this petit point project, which will become a dragon entitled “Woodland Guardian’, from Heaven and Earth Designs.

 

 

 

 


Away in a manger 1 by Kathy Pascoe

Kathy Pascoe began with this “Away in a Manger” stitchery kit from Button Bliss.  Wooden nativity figure buttons will be added, and Kathy plans to add a Christmas themed border and make into a wall hanging.

Pink chairs 1 by Kathy PascoeOnce she had gone as far as she could with the stitching on her first project, Kathy moved on to this sweet project incorporating stem stitch, french knots and backstitch.


Counted cross stitch Diana Churchill

Diana Churchill began the weekend continuing on a counted cross stitch for her grandson, who just loves border collies.

… and here is the completed work.  The puppy’s name is “Shadow”.  Counted x stitch 2 by Diana Churchill


There’s more than one lucky grandchild who will receive a beautiful gift.  Prue Deacon was working on her original canvaswork design for her grandson, who loves all things relating to the beach.  This has a seaside theme incorporating elements from family photos and seaside pictures.

Canvaswork 2 by Prue DeaconCanvaswork 1 by Prue Deacon


Baskets 1 by Ruth Ellis

Ruth Ellis came equipped with her sewing machine to make more of her fabulous fabric bowls.

 

Baskets 7 by Ruth Ellis

 

Ruth says it takes about 40 metres of fabric-covered cord to make each bowl.  Apparently wrapping cord with fabric is a great TV-watching activity!

 

 

I’m going to make you wait for another post to see some of Ruth’s finished work, and much more.  There’s plenty more stitching activity to show from Greenhills!  I tried to take detailed notes, but if I’ve inadvertently left out acknowledgements, I’m sorry, the talking, stitching and eating were very distracting!

Gail

Classes and Creativity

Pat Bootland‘s recent class, Box Construction, was popular for members looking for a way to display small pieces of embroidery.  Of course, Pat came prepared to give us plenty of inspiration in the form of her own sample boxes, plus books and magazines that the Library helpers had kindly found for the class:

PatPootland Box Class

Box 1 Pat Bootland Box 2 Pat Bootland

 

 

 

 

Box 4 Pat Bootland Box 3 Pat Bootland

 

 

 

 

Box 6 Pat BootlandBox 7 Pat Bootland

 

 

 

 

 

 

Box 8 Pat Bootland

 

Class members (especially me) appreciated that in week 2 Pat helped us to sort out any “technical difficulties” we had found since week 1!

 

 

 

 

Not all boxes were finished by the end of the second class, so here are just a couple:

Box 1 by Dorothy Brann

 

Dorothy Brann used her lovely Hardanger sample

 

Box 2 by Dorothy Brann

 

 

 

 

 

 

 

Box 1 by Sarah Kimmorley

 

 

Here is the first of Sarah Kimmorley‘s Canvaswork samples to create Christmas box gifts.

Box 2 by Sarah KimmorleyAnd who wouldn’t want to receive such a lovely gift?


The Creative Group meeting in May was playing with Dorset Buttons with a Difference.  Once again, Library volunteers had produced some books and magazines, Pat Bootland and Fran Novitski had organised supplies and samples, and there was plenty of work in progress:

Dorset buttons with a difference 1

Dorset buttons with a difference 2 Dorset buttons with a difference 3

Dorset buttons with a difference 4Dorset buttons with a difference 5


Last but not least, our School Holiday Program was once again full of fun and stitching activity.  Felties were not the only projects on offer, but I managed to photograph these:

Feltie budgie by Ada Feltie frog by Sam Feltie penguin by Maddy


Sweet budgie was made by Ada, frog with bling by Sam, and stylish penguin by Maddy.  It’s hard to believe, but the next school holidays will be upon us soon, and Lel Whitbread as usual has planning under control.

Don’t forget, you don’t have to be a Guild member to join our classes, although there are Member and Non-member class fees.  You can check for any of our upcoming classes/workshops here, and Special Interest Groups here.  Or check our What’s on at a glance page any time, visitors are always welcome.

Happy, and creative, stitching.

Gail

Gallery Updates

There have been a few updates to the Members Galleries, and here is just a small taste.

Glenda Hudson has shared a quilt she made.  In her own words:

“I made this quilt in memory of my mother.  Some of the threads were from her workbox.  Quite without thought, I finished it on her birthday.”

Quilt by Glenda Hudson

Quilt by Glenda Hudson

 

 

Thanks, Glenda.  I’m sure many of us sometimes like to incorporate both tangible items and memories of loved ones into our work.

 

 

 

 

Pat Bootland has stitched this lovely piece:

Girl with doves by Pat Bootland

Girl with doves by Pat Bootland

And another postcard from our 2014 Exhibition Challenge, “Stitching Love and Hope”, inspired by WW1 silk postcards, and created by Carmen Zanetti.

2014 Creative Challenge postcard by Carmen Zanetti

2014 Creative Challenge postcard by Carmen Zanetti

 

This was entitled “Lark Ascending”, and Carmen tells us it was inspired by her grandfather, Narciso Zanetti, who was an artillery officer in WW1.  He used to speak about hearing the skylarks singing during the lulls in the fighting and the hope they gave him.

 

 

 

 

For details of new additions, see the updated galleries here, and enjoy!

Quilts @ Wallhangings

Crewel and Surface Stitchery

Dolls and Softies

Challenges

 

Gail

Looking over shoulders 12

Hello everyone

It’s time for another blog post.  I’ve been slow to get up to speed, but that doesn’t mean that our Guild members haven’t been as busy and creative as ever.

Creative Stitches by Edith John

 

Judy Barton Browne was inspired by this book (available from the Guild library), to have a play with stitches, and create this sampler.

How many different “basic” stitches can you spot?  Look closely, and you can see where she has varied a stitch to give a different effect.

 

 

 

Stitch sampler by Judy Barton-Brown, detail1Stitch sampler by Judy Barton-Brown, detail2

 

 

 

 

 

 

 

 

Stitch sampler by Judy Barton-Brown, detail3Stitch sampler by Judy Barton-Brown, detail3

 

So go on, start playing with stitches!

 

 

 

 

 

 

 

Shona Phillips has created this happy little doll, and the brooches surrounding it are just some of the 90 brooches she was creating to give to all the female residents of a local aged care facility.  Shona didn’t want anyone to miss out on Mother’s Day, so she was powering along.  What a lovely thought!

 

Doll and brooches1 by Shona PhillipsDoll and brooches2 by Shona Phillips

 

 

 

 

 

 

 

 

Margaret Lamond was doing some experimentation, inspired by this book (also available in the Guild library), to create some stunning metal machine embroideries.  There was a bit of impromptu consultation around the table at a Monday meeting regarding colours to be used next.

 

The Art of Stitching on Metal by Ann ParrStitching on metal1 by Margaret LamondStitching on metal2 by Margaret Lamond

 

 

 

 

 

 

 

 

Sandra Pollard‘s work in progress is a Semco linen vintage cloth, in which the areas have been coloured in using Hobbytex.  Sandra has decided to use Minnamurra threads in a different, and softer, colour palette, and her plans include having some cut out sections in the finished cloth.

Vintage Semco linen cloth by Sandra Pollard

Vintage Semco linen cloth detail by Sandra PollardVintage Semco linen cloth threads by Sandra Pollard

 

 

 

 

 

 

Quilted panel by Andrea Moore

Quilted panel by Andrea Moore

 

 

Andrea Moore‘s quilted panel is from a Helen Godden workshop, and incorporates fabric paint, appliqué, and free motion machine quilting.

 

 

 

 

 

Gloria Loughman‘s quilted panel comes from a workshop she attended in Fiji, and incorporates hand painting, Visofix and free motion machine quilting.  Don’t you think that the little village is lovely?  Gloria intends to add more embellishment.

Quilted panel by Gloria LoughmanQuilted panel detail by Gloria Loughman

 

 

 

 

 

 

That’s all for now, happy stitching!

Gail