Looking over Shoulders 9

Hello everyone

I’ve been at again – looking at members’ work in progress and taking photos. I’m very grateful that people are so patient and understanding and let me share their stitching.

Let’s start with some Hardanger stitched by the very talented

Levona Lea

Blue and White Hardanger by Levona Lea

Detail of Blue and White Hardanger in Progress by Levona Lea

Avis Gesling

Hardanger in Progress by Avis Gesling

Detail of Hardanger in Progress by Avis Gesling

and Shirley Eaton

Hardanger in Progress by Shirley Eaton

Detail 2 of Hardanger in progress by Shirley Eaton

Detail 1 of Hardanger in progress by Shirley EatonMeanwhile Evelyn Foster was showing us the pieces she’s working on from an on line class with Sharon Boggon called Sumptuous Surface Embroidery – she’s loved doing the course

Contemporary Needlework stitched by Evelyn Foster

Green Contemporary Needlewok in Progress stitched by Evelyn Foster

She’s also been working on this Canvaswork leaf

Leaf Canvaswork in Progress stitched by Evelyn Foster

Agnes Sciberras has made a lot of progress with her stunning coastal seascape

Coastal Seascape in Progress stitched by Agnes Sciberras

Detail 1 of Coastal Seascape in progress stitched by Agnes Sciberras

For something very different Jan Hure was working on this complex Hapsburg Lace design

Hapsburg Lace in Progress stitched by Jan Hure

Detail 1 of Hapsburg Lace in Progress stitched by Jan Hure

Detail 2 from Hapsburg Lace in Progress stitched by Jan Hure

While Floriana Basilisco had just finished this piece of Filet lace

Filet Lace stitched by Floriana Basilisco

Detail 1 of Filet Lace stitched by Floriana Basilisco

Andrea Moore was bubbling over about the ribbon embroidery techniques she’d learned on the Guild’s classes taught by Lesley Edwards. Here are the pieces she’d stitched in the class

Pink Ribbon Embroidery stitched by Andrea Moore

Vase of Flowers Ribbon Embroidery stitched by Andrea MooreThere was also some yarn goodness going on with Janice Brennan working on this crochet

Crochet in progress by Janice Brennan

and this scarf

Woollen Scarf knitted by Janice Brennan

while Jenny Clayton was knitting this jumper with a wonderful pop of colour

Jumper in Progress by Jenny Clayton

and just down the corridor Glenda Hudson was really powering on this with this retro jumper design

Jumper in Progress by Glenda Hudson

We also had two special visitors working on these too cute loom bracelets


Tahlyas Box

and Xanthe

Xanthes Treasure Chest



News Update

Hi everyone

A quick note to say I’ve updated the following Members Galleries:

Bags & Purses 



Crewel & Surface Stitchery

Cross Stitch


Japanese Techniques

Silk Ribbon

Stumpwork & Textured Stitching

Here’s a tiny taster of the photos I’ve added.

Detail of Dragonfly Needlecase stitched by Marjorie Gilby

Embroidered Bag

Detail 4 of Embroidered Cream Bag stitched by Marjorie Gilb


Hardanger Table Runner stitched by Meryl Fellows


Guild’s Stumpwork Sample


Detail from Canvaswork Cushion with Blue Hen stitched by Bill Thorn

Detail of Bargello Cushion  stitched by Bill Thorn

Detail of Bargello Cushion stitched by Bill Thorn

Detail 5 of Camel Rug stitched by Yvonne Kingsley

Crewel embroidery stool

Detail of Crewel Stool stitched by Marjorie Gilby

Hope you enjoy the pics and have a great weekend!


News Update

Hi everyone

Just a quick heads up that I’ve updated the following Members Galleries:


Crewel & Surface Stitchery 

Cross Stitch 

Fabric Postcards

Fibre & Yarn


Quilts & Wallhangings

Stumpwork & Textured Stitching


Here are some tasters of the photos uploaded:

Stumpwork embroidery

Squirrel Needlebook stitched by Marjorie Gilby

Trapunto Tree with birds by Pat Bootland


Detail 1 of Bag with Crewel Embroidery designed by Marjorie Gilby

Now sharing some quick notes on embroidery that has caught my eye recently:

The Great Tapestry of Scotland

This is a tapestry in the tradition of the Bayeux Tapestry – an epic account of Scottish history, wonderful design by artist Andrew Crummy and just awesome stitching.

Kate Davies has done a series of blog posts on this tapestry with great photos of the stitching here

Contemporary Australian Textile Artist – Meredith Woolnough

Meredith’s work is technically and aesthetically breathtaking – she combines embroidery, resin and other materials to create multi-layered and sculptural textile works. She’s having an exhibition from 5-31 July in the Pop Up Gallery at the Milk Factory, 33 Station St (rear), Bowral.

You can see examples of her work on her blog here

Bye for now



Looking over Shoulders 8

Hi everyone

Here I am back in Canberra which is amazingly mild for this time of the year.

The trip to Central Australia was a blast but I did feel a twinge at missing the Greenhills stitching weekend. By all accounts it was fantastic fun – lots of stitching, friendship, laughter, chat and good food.

Our wonderful Jillian Bath took lots of great photos for you……..if you want a closer look just click on the photo

Ruth was working on this bright appliqué

Ruth Applique

and Kathy Pascoe on this Canvaswork

Kathy Pascoe Canvas work

Pat Bootland was making progress on this Alison Cole Goldwork design

Goldwork by Pay Bootland

Tina Korda worked on her stitchery

Stitchery by Tina Korda

Stitchery 2 by Tina Korda

She also made this wool flower brooch in the special workshop

Wool Flower Brroch by Tina Korda

This delicate Brazilian embroidery was in Mercia Needham’s hoop

Brazilian Embroidery by Mercia Needham

and this one in Kay Reid’s hoop

Brazilian Embroidery by Kay Reid

Kay also found time to work on this stitchery

Stitchery by Kay Reid

Hazel Hunt was also working on a lovely piece of surface stitching

Hazel Hunt tablecloth

Hazel Hunt tablecloth 2

Gail Haidon is almost there with her wool embroidery project

Wool Embroidery by Gail Haidon

Anne Dowling had a couple of projects on the go – this Canvaswork with a real pop of colour

Canvaswork by Anne Dowling

Close up of Canvaswork by Anne Dowling

and this cute Christmas appliqué

Anne Dowling Applique

Diana Churchill was also working on a Christmas hanging

Diana Churchill Xmas hanging

A couple of people were stitching away on Crewel work – Pam Hynd on this softly coloured but complex pattern

Crewel work by Pam Hynd

and Claire Westley on this detailed design

Crewel work by Claire Westley

Antoinette Stojadinovic had her feet up knitting a scarf – look at those cool red shoes!

Antoinette knitting scarfand this funky cat being stitched by Lel Whitbread

Lel Whitbreads Cat

Liz Bell was cross stitching this elegant alphabet

Cross Stitch by Liz Bellwhile Margaret O’Beirne was working on this super cute owl and friends

Cross Stitch by Margaret OBeirne

Sarah Kimmorley was making progress on her postcard

Stitchery by Sarah Kimmorley

This retro Blackwork project of Susan Coates is very striking

Susan Blackwork

as is this quilt that Lynn Burgess was working on

Lynn Burgess Quilt

A traditional Deerfield design was emerging from Fran Novitski’s hoop

Deerfield by Fran Novitski

While Sue McLean was tatting

Tatting by Sue McLean

and Lesley Jemesen was doing Hardanger

Hardanger by Lesley Jemesen

as was Rosemary Daniels

Hardanger 2 by Rosemary Daniels

A mystery person had finished this pile of crochet squares – if someone can let me know a name I’ll add it to this post

Crochet squares

Workshop on Paper Folding

As well as doing an awesome job of organising this stitching weekend Brenda Phillips also taught a Paper Folding workshop. Here’s a quick peek

paper folding 3


paper folding 2

Paper folding 1

Paper folding 4

A big thanks to Brenda and Jillian for all their hard work.



Looking Over Shoulders 7

Hi everyone

This time it’s the turn of the morning group. These photos were taken with my iPad at the last couple of meetings at Gorman House.

You have Julie Knight to thank for the fact that I’ve done these two recent Looking over Shoulders posts. She was wearing this very striking necklace and I asked her about it….

Necklace 1 by Julie Knight

Turns out she was so inspired by the Kim Thittichai Workshop (held at the Guild at the end of March) that she was experimenting with using Kim’s technique to bond embellished Vliesofix to leather and this necklace was the result. A-M-A-Z-I-N-G! So I had to share it with you…

I would never in a million years have guessed that this surface was Vliesofix – it looks like a hard plastic or resin. Kim has written an account of the workshops at our Guild here.

Julie is incredibly creative and productive and had made not one but three necklaces. Here are the other two:

Necklace 2 by Julie Knight

Necklace 3 by Julie Knight

When she wasn’t being asked to show her necklaces to people she was stitching the ladybug embroidery on this sweet baby dress

Pink Baby Dress with Ladybug stitched by Julie Knight

Irene Burton was putting the finishing touches to this doll dressed in very pretty Hardanger:

Hardanger Doll by Irene Burton

Like Julie she’s also incredibly productive and had these three crocheted bags sitting on the table beside her sewing kit:

Crocheted Bag2 by Irene Burton

Crocheted Bag 1 by Irene Burton

Crocheted Bag 3 by Irene Burton

Dimity Manton was also into crochet working away at this granny square:

Granny Square in Progress by Dimity Manton

Nearby Evelyn Foster was making up these Christmas squares that Helen Nastopoulus had stitched:

Xmas Squares stitched by Helen Nastopoulus

She was using this dainty needlecase machine stitched by her cousin.

photo 22

Kay Reid came back from her recent embroidery cruise all enthusiastic about Brazilian embroidery:

Brazilian Embroidery in progress stitched by Kay Reid

I couldn’t resist taking another photo of this lovely wool embroidery that Gail Haidon is working on:

Wool Embroidery of Hydrangeas stitched by Gail Haidon

Ann Lond was tatting this lace border for a vintage tablecloth to replace one that’s become too frayed:

Tatting by Ann Lond

She also had with her a large Chicken Scratch tablecloth that she’s embroidered for the Canberra branch of the Country Women’s Association. It was way too large to photograph so I focussed on these couple of elements:

Chicken Scratch Triangle by Ann Lond

Chicken Scratch Border by Ann Lond

At the other end of this table Louise Willey was stitching this celtic design in Canvaswork:

Celtic Design Canvaswork in progress by Louise Willey

Trish Hyland was chatting away to her and progressing this delicate Hardanger diamond:

Hardanger Diamond in Progress stitched by Trish Hyland

While Meryl Fellows was also stitching away at another one of her wonderful Hardanger pieces:

Hardanger in hoop stitched by Meryl Fellows

Jenny Clayton’s cute bullion scoops of ice cream on a baby’s onsie made me smile:

Bullion Ice cream on babygro stitched by Jenny Clayton

Beside her Janice Brennan was stitching the elements of another Diana Lampe design:

Diana Lampe design with Wattle stitched by Janice

The wattle tree really adds a pop of colour:

Wattle detail from Diana Lampe design stitched by Janice

And now for some cross stitch:

The big lazing cat that Joyce Lynch is embroidering is coming to life:

Cat x stitch in progress by Joyce Lynch

As is Doreen McGregor‘s butler:

Butler x stitch by Doreen McGregorMeanwhile Gwyneth Peddey was working on this imposing view of Harlech Castle.

Harlech Castle X stitch by Gwyneth Peddey




A Summer Parterre

Hi everyone

Hope you all had a great weekend.

Before we look at some wonderful stitching here are a couple of photos of our big move last Thursday:

Hackett Community Centre

Through that glass door is the Guild’s new home at Hackett Community Centre

Leaders truck arriving

Here’s the first truckload arriving

Christine in cupboard

Look who we found in one of the cupboards!

At the moment our new home at Hackett is just a sea of boxes, furniture etc and it’s going to take a huge effort to get everything sorted. So to help the settling in process go smoothly the morning and evening meetings that would have happened today have been cancelled – they start again next Monday 12 May.

The May meetings for Hardanger, Creative and Paper Arts and Young Stitchers have also been cancelled – we’re really sorry about this and looking forward to things getting back to normal in June.

A Summer Parterre

This is another exquisite piece from Marjorie Gilby. She created the design for a class with Pamela Watts in a technique called ‘scribble canvas’ in 1998. Just click on the photos if you want to look more closely.

Here’s the finished work framed

Canvaswork Summer Parterre by Marjorie Gilby

and some closer views

Unframed Canvaswork Summer Parterre Marjorie Gilby

Central Square of Summer Parterre by  Marjorie Gilby

This is specially for those of you who like to look closely at the stitching

Detail 4 from Summer Parterre by Marjorie Gilby

The green plant in the pot is done in needlelace. The pot is constructed of two metal rings each of which has been sewn over with Buttonhole stitch. These two rings were then laid on top of each other and stitched together.

The grey/beige ‘pebbles’ around the pot are French knots while the terracotta pavement is Cushion Stitch.

Detail of Summer Parterre by Marjorie Gilby

The flat blue and pink flowers are Rice Stitch. To create the waterlillies in the bottom left hand corner Marjorie first made needlelace leaves and then she used Cup Stitch to give dimensionality to the lily flowers.

Now you might remember Velvet Stitch (also called Turkey Stitch or Ghiordes Knot) from the blog post about Audrey’s extraordinary Aran style Canvaswork pillow here. It’s used to create a plush pile and here Marjorie has stitched it in green wool to create a box hedge for the parterre.


Here’s a tip that Pamela Watts passed on to Marjorie for creating a thick and even pile – use an eyebrow brush to shape and fluff up the pile after you’ve cut off the top of the loops.

Detail 3 of Summer Parterre by Marjorie Gilby

The other feature flower that’s repeated in the geometric design of this piece is made with Bullions and then set off with needlelace leaves. The surrounding triangle in mauves and pinks is done in Algerian eyelets. The small mauve and yellow ground cover flowers within the box hedges are French Knots.

Detail 2 from Summer Parterre by Marjorie Gilby

To create the shaped Cumquat trees Marjorie first made pompoms and then clipped them into a ball shape and added beads for fruit.

The texture, geometry and dimensionality created by all these different stitches is just awesome. My favourite feature is the terracotta pot and plant in the centre of the piece. Do you have a favourite feature?

Marjorie – a heartfelt thanks again for sharing your wonderful pieces with us.

Take care



A Lovely Surprise

Hello everyone

Hope you’ve all had a great weekend. Sunny and warm here today so we could forget that the days are getting cooler and Winter’s coming. All a bit surreal given that my family in North Queensland are dealing with Cyclone Ita and torrential rain.

We have an open invitation to members of the Guild to bring their work in to be photographed for the Members Gallery. So when I go to the Guild on a Monday there’s always a certain amount of anticipation because you never know what might turn up.

And this happened a couple of weeks ago when Audrey Schultz, one of our longstanding members, opened a bag and said to me ‘Carmen do you think these cushions would be of any interest?’. She then pulled out two cream cushions with a highly textured wool surface and covered in the most intense and intricate stitching.

They are needlepoint cushions and the designs are inspired by the traditional knit patterns of the Aran Islands. If you’re a knitter you’ll know that there’s currently a huge revival in traditional knitting styles and Ravelry (the online knit and crochet community) has hundreds of entries for ‘Aran’.

Cream Cushion in Aran Style

The design for the Cream Cushion comes from a pattern Aran Needlepoint by Cindy Lee Arbelbide that was published in 1979 by Leisure Arts. Contrary to popular mythology Aran knitting as we know it emerged in Ireland in the 1930s and reached an export peak in the 1950s and 60s. It’s a fascinating story of canny marketing and women’s history. If you want to know more there’s a great post by Kate Davies here

Now back to Audrey’s cushion…..

You can see in this photo one of the central concepts of Aran designs – a symmetrical pattern around a central axis.

Cream Aran Cushion stitched by Audrey Schultz

Now to the stitching for those of you who like to have a close look at the surface stitching:

Corner Detail of Cream Aran Cushion stitched by Audrey Schultz

Here there’s a Rosette Centre surrounded by squares in Fern Stitch and Double Cross Stitch Variation covering 6 threads.  The linear elements around the squares include Basketweave Stitch, Buttonhole Half-Moons, Wheat Stitch, Upright Cross Stitch, Half and Half Stitch, Oblong Stitch and Double Leviathan Stitch.

The next square is even more technical……it has a Ribbed Spider Centre and the squares around it are worked in Wheat Stitch with Upright Cross Stitch, then Woven Plait Stitch, Fern Stitch, Knotted Stitch, Continental Stitch and Buttonhole Half and Three-Quarter Moons.

Centre Square of Cream Aran Cushion stitched by Audrey Schultz

A small Rosette element  where you can get a good view of the Buttonhole Half-Moons, the Wheat Stitch (looks like a wheat sheaf) and the Flat Squares with a French Knot filling each centre.

Detail 1 of Cream Aran Cushion by Audrey Schultz

Here’s another square with Large and Small Ribbed Spider Stitches.

Detail 2 of Cream Aran Cushion stitched by Audrey Schultz

This square has a Rose Centre worked in Rose Stitch…….

Detail 3 of Cream Aran Cushion stitched by Audrey Schultz

These next two photos are eye candy for you…..

Detail 4 of Cream Aran Cushion stitched by Audrey Schultz

Detail 5 of Cream Aran Cushion stitched by Audrey Schultz

Brown and Cream Cushion

I don’t have any information about the provenance of this cushion’s design and thought you might just like to look at the richly textured surface…..the stitches are traditional canvaswork elements with less complexity and intricacy than those in the Cream Cushion.

But there are a couple of special stitches – the brown squares are done in Rhodes Stitch while that square of stitched wool with a pile that makes you want to touch it is done in the appropriately named Velvet Stitch. Audrey says that to create this effect you stitch loops over knitting needles and then cut the top of the loop away to get the thick pile.

Audrey’s execution of these stitches is exquisite and masterful – soooo inspiring!

Cream and Brown Aran Cushion stitched by Audrey Schultz

Centre Square of Brown and Cream Aran Cushion stitched by Audrey Schultz

Detail 1 of Brown and Cream Aran Cushion stitched by Audrey Schultz

Brown and Cream Aran Cushion stitched by Audrey Schultz

Writing this blog post has given me a deep appreciation of Audrey’s talent and her mastery of Canvaswork.

Just awesome Audrey and thank you so much for sharing these lovely treasures with us.

Thanks also to Stewart Bath for the photos that let us look so closely at the surface stitching.




For Downton Abbey Fans

Hello everyone

Hope you’re having a lovely weekend. Those of you who are fans of Downton Abbey will know that the location used for the series is Highclere Castle in Newbury, West Berkshire.

This historic house also has famous gardens with spectacular beds of perennials and walled gardens. You can see some of the garden’s glory in the gallery on the Highclere Castle website here.

Pat Bootland visited Highclere Castle a few years ago and created a walled garden scene from a composite of two photos. Like all her original pieces it uses an amazing array of stitches densely layered on the fabric to create a sense of profusion and texture. There are also her signature ferns created with needleweaving.

We’ll start with the work in its frame

Walled Garden from Highclere Castle by Pat Bootland

now closer up

Unframed Walled Garden from Highclere Castle by Pat Bootland

The view through the arch – the lawn was created by using very small straight stitches. Pat laid down the straight stitches in one colour green and then repeated the process in four other greens until the whole lawn area was covered and blended.

Archway with Cat from Clereview Castle by Pat Bootland

the wonderful espaliered plum tree with its bullion leaves and padded stem stitch branches. The brickwork of the wall has been created using canvaswork stitches in a range of colours.

Espaliered Fruit Tree from Walled Garden at Clereview Castle by Pat Bootland

and here’s the beading which is so totally cool

Close up of espaliered fruit tree from Walled Garden at Highclere House by Pat Bootland

then there’s this adorable puss

Cat from Walled Garden at Highclere Castle by Pat Bootland

He was based on her daughter’s cat. Pat wanted to show its dark striped coat so that it had definition and presence but without being overpowering. The plant next to it was embroidered by first doing very long straight stitches and then wrapping them in blended threads.

Finally these cute hedgehogs and delicately woven ferns

Hedgehog detail from Walled Garden with Cat by Pat Bootland

Watching Pat at work is an amazing experience. She usually has a rough drawing of what she wants to do but no detailed plan. She starts and decides how she’ll do a particular bit. Then when that’s finished she’ll work out the colours and stitches for the next section and so on. It’s a very open and fluid creative process……and fast, very fast. She flies through pieces while chatting away and telling very funny stories.

We’re trying to persuade her that doing some You Tube videos on her needlewoven ferns would be an awesome idea.

Take care





Looking Over Shoulders 5


Hello again everyone

I’ve been busy with my iPad over the last couple of weeks taking pics as I look over people’s shoulders at the Monday morning and evening meetings.

To the members of the Guild thanks so much for sharing your work and being so patient with me as I whisk away your work to take a pic.

This post comes with its own warning – it’s a mega post just in case you need to get a cup of coffee or tea…….

Here goes……

Irene Burton is incredibly fast at finishing work – look what she’s done in the last couple of weeks:

Granny Square

Granny Square crocheted by Irene Burton

Blue Crochet Bag by Irene Burton

Ballroom Dancers x-stitched by Irene Burton

I love the sparkly bits on the dancer’s dress – they add something special. What do you think?

We had two special visitors on Monday

Margaret Kilby from Ottawa is working on this lovely field of red poppies:

Red Poppy in Progress x-stitched by Margaret Kilby

and Dee Glenn from the USA on this elegant quilt:

Quilt in Progress by Dee Glenn

While we’re talking about quilts here’s where Dorothy Rudland is up to with her butterfly quilt:

Butterfly Quilt in Progress by Dorothy Rudland

Detail of Butterfly Quilt in Progress by Dorothy Rudling

and Lee Scott  is finishing the crazy quilt block she started on her recent stitching cruise around New Zealand:

Crazy Quilt Block by Lee Scott

You’ve seen this crazy quilt block that Fran Novitski has been working on in previous posts so here it is finished and very cleverly turned into a folder cover:

Crazy Quilt Folder by Fran Novitski

Julie Knight who is just the most creative person across a range of media was showing us the pieces she’d entered into the Canberra Show last month. Just look at this awesome baby doll – don’t you just want to pick her up and give her a big cuddle?

Baby Doll by Julie Knight

Her other pieces were this baby’s outfit

Baby Dress by Julie Knight

and this silk ribbon embroidery

Ribbon Embroidery in frame by Julie Knight

Shona Phillips has also been adding some ribbon embroidery to this retro design:

Lady with Roses Silk Flowers in Progress by Shona Phillips

while Pat Bootland is stitching away on a new piece inspired by a Sydney Long painting in the National Gallery of Australia.

Woman Piper by Pat Bootland

Floriana Basilisco finished this embroidery for a cushion

Surface Embroidery in progress by Floriana Basilisco

This piece is a bit deceptive because the painted green background suggests you’re looking at appliqué when in fact it’s surface stitching.

Floriana’s now started on this filet inspired by similar pieces she saw on her last trip back to Italy

Filet in Progress by Floriana Basilisco

Near her Catharina Koopman was working on this cross stitch

Sogno in Progress x-stitched by Catharina Koopman

Gail Haidon was working away at this stunning piece of wool embroidery that you’ve seen in an earlier post

Wool Embroidery by Gail Haidon

and Lesley Fusinato has started another block of her super cute French mouse Monet quilt

Monet Mouse Quilt Block by Lesley Fusinato

Jan Senti has finished her too cute bear stitched with mingled threads to give a ‘tweed’ effect

Teddy Bear x-stitched by Jan Senti

and now she’s onto Sashiko

Sashiko in Progress by Jan Senti

On Monday night Sarah Kimmorley was painstakingly counting threads for the tassels on a baby blanket

Preparing Tassels by Sarah Kimmorley

While Jenny Balderson was adding the finishing touches to her Stitch of the Month book cover

Stitch of the Month Sampler in Progress by Jenny Balderson

Now if you love Hardanger and drawn thread work here’s some eye candy for you that various members are working on

Lesley Jemeson

Hardanger in Progress by Lesley Jemesen

Germaine Esther

Hardanger in Progress by Germaine Esther

Nan Horne’s Ukrainian work

Ukrainian Embroidery in Progress by Nan Horne

Here’s a corner of a large Hardanger tablecloth that Brenda Phillips is making as a raffle prize for a special birthday of the Yass Country Women’s Association – we all want to win it!

Hardanger Tablecloth Corner by Brenda Phillips

Mmm I have to apologise to the owner of this Hardanger piece in progress as I can’t read my scrawled notes – so if you recognise it please let me know and I’ll add your name

Blue and Cream Hardanger by

For something completely different check out the progress that Sharon Boggon has made on her contemporary piece

Contemporary Embroidery in Progress by Sharon Boggon

and Agnes Sciberras on her very evocative seascape

Contemporary Seascape by Agnes Scibberas

Margaret Roberts is almost finished her Australian landscape and is looking for feedback and ideas on whether she should put something at the foot of the tree – so your comments would be very welcome…

Landscape in Progress by Jenny

For the history buffs among you here’s the Millennium Sampler being worked on by Jan Prowse

The Milennium Sampler in Progress by Jan Prowse

Detail of Milennium Sampler by

while Patricia has started this panel of the Bayeux Tapestry and was showing me her Bayeux Stitch

Edward the Confessor Panel from Bayeux Tapestry by

Detail 2 of Bayeux Tapestry Panel in Progress by

If you’re a fan of Diana Lampe’s designs then you’re in luck because two members are working away on very similar pieces. In the morning group Janice Brennan was finishing this design

Diana Lampe Embroidery in Progress by Janice Brennan

and in the evening group Rosie Collis is just about finished this

Diana Lampe Embroidery in Progress by Rosie Collis

There’s also lots of cross stitch going on

Ruth Jackson

Geometric Square x-stitched by Ruth Jackson

Delma Burgdorf

Coffee Cups x-stitched by Delma Burgdorf

Barbara Bailey 

Cottage in progress x-stitched by Barbara Bailey

Anne Small 

X-stitch in progress by Anne Small

and Samantha Benda

Bouquet of Flowers x-stitched by Samantha Benda

Threadpainting always generates a lot of interest at our annual exhibition and on the Members Gallery so here’s a lovely violet by Ros Stanford

Violet Threadpainting by Rosa Stanford

There’s the same kind of delicacy but a very different technique in these Stumpwork elements that Margaret Cooper is working on

Stumpwork in Progress by Margaret Cooper

Evelyn Foster is working on this winsome Trish Burr miniature

Trish Burr Miniature in rogress by Evelyn Foster

While Mary Doherty is almost finished a block for our Sunbonnet Sue quilt

Sunbonnet Sue Quilt Block by Mary Donohue

For a pop of colour have a look at these pieces by Jan Hure

by Jan Hure

Polly Templeton 

Canvaswork in Progress by Polly Templeton

and Diana Churchill

Surface Embroidery in Progress by Diana Churchill

Surface Embroidery in Progress 2 by Diana Churchill

We’re going to end on a Christmassy note with this stocking being stitched by Carol Van Gelder

Xmas Stocking in Progress by

and Glenda Hudson’s fun button Christmas Tree from the Creative Group workshop

Button Xmas Tree by Glenda Hudson



News Update

Hi everyone

Well about an hour ago I managed to erase the whole Cross Stitch Gallery and it’s taken me all this time to figure out how to restore it! WordPress is seriously scary at times….Anyway it’s back & updated to boot.

Here’s the list of all the galleries that have been updated:



Contemporary Creative

Crewel & Surface Stitching

Cross Stitch



Landscapes & Scenes

Stumpwork & Textured Stitching


All the new photos are at the top of the galleries.


We’re on Facebook and you can find us here. Yay! \0/