A Sense of Place

Hi again

In this post I’m going to share another work by Caroll Pichelmann. Caroll is a longstanding member of the Guild and a gifted textile artist. I’ve had some long conversations with her recently while arranging for her work to be photographed for the Members Gallery.

Lyn’s Postcard

This story starts with a postcard that Lyn Baldwin (another member of the Guild) stitched and sent to Caroll. Lyn draws with thread and fabric and her postcard featured some sandpipers. Here’s a fragment of it

Sandpipers on Blue Book Cover by Caroll Pichelmann

Caroll is highly creative and very focussed on the potential of materials for making art. Textile art isn’t static for her and she can see future stories and purpose in anything she makes. She constantly recycles pieces and they evolve over time.

She also has a very strong sense of place and how it can be evoked in fibre and yarn.

So when she received Lyn’s postcard she didn’t put it away or on a wall or somewhere safe. She sent it on a journey.

Textured Seascape

In the postcard’s next life the sand pipers have found a context and a sense of place in this textured seascape that was in the Guild’s 2013 Annual  Exhibition.

Contemporary Textured Seascape

Contemporary Textured Seascape by Carroll Pichelmann

Detail of Textured Seascape

Detail of Textured Seascape by Carroll Pichelmann

Diary Cover

Then Caroll decided to look more closely at these shorebirds and their habitat along the shoreline – especially the inter-tidal zone where they feed.

So she deconstructed the seascape and out of this morphed a diary cover that evokes all the rich detail of life in that zone.

It’s worked in wool in many forms and with a relatively restrained palette of stitches – darning, couching, Tunisian crochet, french knots, chain stitch, fly stitch, buttonhole stitch, back stitch, some needleweaving. But the main story is the wool – the variety of yarns, fibres, colours all put to awesome use in freeform stitching.

Here’s the diary opened out

Blue Diary Cover 3 by Caroll Pichelmann

And here are the covers and then detailed close-ups of the surface textile. I’ll leave you to enjoy the richness of the detail

Blue Diary Cover 1 by Caroll Pichelmann

Blue Diary Cover 4 by Caroll Pichelmann

Blue Diary Cover 2 by Caroll Pichelmann

Blue Diary Cover 8 by Caroll Pichelmann

Blue Diary Cover 9 by Caroll Pichelmann

Blue Diary Cover 10 by Caroll Pichelmann

Blue Diary Cover 15 by Caroll Pichelmann

Blue Diary Cover 7 by Carroll Pichelmann

Blue Diary Cover 16 by Caroll Pichelmann

Blue Diary Cover 17 by Caroll Pichelmann

Blue Diary Cover 18 by Caroll Pichelmann

Blue Diary Cover 11 by Caroll Pichelmann

Blue Diary Cover 12 by Caroll Pichelmann

Blue Diary Cover 13 by Caroll Pichelmann

Blue Diary Cover 14 by Caroll Pichelmann

Blue Diary Cover 21 by Caroll Pichelmann

Blue Diary Cover 20 by Caroll Pichelmann

Blue Diary Cover 6 by Caroll Pichelmann

Blue Diary Cover 5 by Caroll Pichelmann

I feel like I’ve been looking into rock pools and under rocks and beach combing along the shoreline when I explore this piece.

Did I mention that Caroll is also the most generous of people? So where are the sandpipers now? Back with Lyn of course and on the cover of her annual diary.

Caroll’s creative process where all the textiles are forming and reforming into new stories and surfaces reminds me of Jude Hill. You can see her work on her Spirit Cloth blog here

Have a great weekend

Carmen

Encore for My City Lives by Caroll Pichelmann

Hi everyone

Last year on 28 September I wrote about our 2013 Annual Exhibition here. I included some photos of Caroll Pichelmann’s My City Lives – a major piece of textile art in the Retrospective of her work that was part of the exhibition.

Those photos were taken at the Exhibition in not very good light. There’s been quite a bit of interest in this work and so Stewart Bath has re-photographed it in detail. We also have some images of the whole work by Andrew Sikorski of Art Atelier.

 If you haven’t had a chance to read the earlier post then the important thing to know is that this an imaginary city composed of bits and pieces from various Australian cities.

So here we go with an encore of My City Lives.

These first two photos are by Andrew Sikorski. It was fascinating to watch Andrew at work. The first photo presents the work as a textile – you can see the folds and creases in the fabric:

ART_1The second presents it in a more ‘art work’ way with less dimensionality and texture:

ART_2

Both approaches are accepted ways of showing textile art and I wanted to share them with you. Which do you prefer?

A more detailed look… 

Caroll says that this next section is inspired by The Rocks area of Sydney and I’ve included a selection of photos to give you some close-ups of the layers, texture and stitching:

Detail 7 of My City Lives by Caroll Pichelmann

 

Detail 8 of My City Lives by Caroll Pichelmann

 

Detail 4 of My City lives by Caroll Pichelmann

 

Detail 5 of My City Lives by Caroll Pichelmann

 

Detail 9 from My City Lives by Caroll Pichelmann

 

Detail 11 of My City Lives by Caroll Pichelmann

Now this next section is a bit of a mystery – Caroll doesn’t have any notes on which city this is from so if you recognise the buildings please let us know.

Detail 1 of My City Lives by Caroll Pichelmann

 

Detail 3 of My City Lives by Caroll Pichelmann

 

Detail 2 of My City Lives by Caroll Pichelmann

 

Detail 10 of My City Lives by Caroll Pichelmann

 

Detail 6 of My City Lives by Caroll Pichelmann

This work is also special because Caroll is very committed to upcycling materials and it incorporates many re-used fabrics, yarn and thread.

Enjoy and take care

Carmen