Siennese Illuminated Treasure

Hi everyone

I hope you’re really enjoying the lead up to Christmas.

In this post we’re sharing an inspiring piece that celebrates Goldwork and Stumpwork embroidery. It’s an Alison Cole design called a Siennese Illuminated Treasure and it’s been stitched by Fran Novitski.

Siennese Illuminated Treasure stitched by Fran Novitski

When I studied the photos I could just imagine this gorgeous box being tucked away in the saddlebags of the Three Wise Men on their way to the Nativity. What do you think?

Here’s some wonderful eye candy for you thanks to Stewart Bath’s photographs:

Detail 1 of Siennese Illuminated Treasure stitched by Fran Novitski

Detail 2 of Siennese Illuminated Treasure stitched by Fran Novitski

Detail 3 of Siennese Illuminated Treasure stitched by Fran Novitski

Detail 4 of Siennese Illuminated Treasure stitched by Fran Novitski

Detail 5 of Siennese Illuminated Treasure stitched by Fran Novitski

Detail 6 of Siennese Illuminated Treasure stitched by Fran Novitski

Detail 7 of Siennese Illuminated Treasure stitched by Fran Novitski

Thank you Fran for sharing this exquisite treasure with us and Stewart for the great photos.

Enjoy!

Carmen

Sashiko Sampler Quilt

Hi everyone

This post is specially for those of you who love Sashiko.

I’m sharing a Sashiko Sampler Quilt designed and stitched by Jennifer Zanetti. It’s a large quilt that would easily fit a Queen size bed and is an absolute tour de force. Here it is hanging to give you an idea of the size:

Sashiko Sampler Quilt by Jennifer Zanetti

It’s full of detail and in real life the visual effect is that the Sashiko Samplers seem to ‘float’ on the surface of the quilt.

Sashiko

The word Sashiko means little stabs or little stitches.It is a traditional form of Japanese needlework that evolved in the Edo period (1603-1867).  In this period there were sumptuary laws that delineated class lines by defining what people could wear. Only the nobility could wear silk, bright colours and large patterns. Commoners (merchant and peasant classes) could only wear homespun fabrics dyed with indigo.

Cotton was imported and beyond the means of ordinary people. So they spun cloth from hemp, wisteria and paper mulberry. It’s thought that the original fabrics had a loose weave and the warp and the weft provided linear patterns for the running stitch. At this time cloth was a precious commodity because it was time-consuming to produce so it was imperative to find ways to conserve scraps of old clothes and re-purpose them.

So the origins of Sashiko are utilitarian and developed out of necessity. It was used to strengthen cloth, quilt layers together to create warmth and to mend and recycle worn out clothes. The indigo dye was durable and thought to repel insects and snakes.

The Sashiko patterns also had a spiritual significance e.g. where the threads of stitches cross over is called the me which in Japanese means ‘the eye’. These ‘eyes’ protected the wearer and in the museum examples of the garments worn by fishermen and farmers you can see that they are densely stitched with Sashiko patterns and hundreds of ‘eyes’.

If you want to read more about the history of Sashiko there’s an interesting essay here by Michele Walker who has worked with the last generation of women to practise Sashiko in Japan.

You’ll find a really useful set of tips on Sashiko plus a great listing of other resources here.

Sashiko Samplers

Now for a closer look at those  Sashiko Samplers and some awesome eye candy. Here’s a striking combination that deploys the Asa no ha pattern between two fans:

Detail 1 of Sashiko Sampler Quilt by Jennifer Zanetti

and closer

Detail 2 of Sashiko Sampler Quilt by Jennifer Zanetti

This next one is a variant of the Schippo tsunagi pattern

Detail 3 of Sashiko Sampler Quilt by Jennifer Zanetti

While the next block is a more complex variation of the same pattern:

Detail 4 of Sashiko Sampler Quilt by Jennifer Zanetti

and this is for all of you who love to look at the stitching in detail:

Detail 5 of Sashiko Sampler Quilt by Jennifer Zanetti

The last in the indigo series of Sashiko blocks is this Maru-Bisha-Mon:

Detail 11 of Sashiko Sampler Quilt by Jennifer Zanetti

The variation in the blue is due to the light sources in the room. On the quilt block it’s a uniform colour.

The indigo blocks are balanced in the quilt by a series of Sashiko Samplers in white with an added decorative theme. Jennifer has added a stitched bird to all of these white blocks.

We’re starting with  the  Hana-bishi pattern:

Detail 6 of Sashiko Sampler Quilt by Jennifer Zanetti

and then on to the Nowaki pattern:

Detail 7 of Sashiko Sampler Quilt by Jennifer Zanetti

and then the Hana zashi pattern

Detail 9 of Sashiko Sampler Quilt by Jennifer Zanetti

and this pattern which I haven’t been able to identify:

Detail 10 of Sashiko Sampler Quilt by Jennifer Zanetti

The final white block has the Seikai-ha pattern with a quilted panel as contrast:

Detail 12 of Sashiko Sampler Quilt by Jennifer ZanettiThere are also Sashiko quilting elements in the design which create a visual and textural effect:

Detail 14 from Sashiko Sampler Quilt by Jennifer Zanetti

Detail 15 of Sashiko Sampler Quilt by Jennifer Zanetti

I really haven’t done this quilt justice as the overall design is incredibly intricate and complex. Jennifer’s choice of fabrics complements and in some cases echoes the Sashiko samplers. The geometry and spatial configuration of the blocks alone deserve a blog post.

But I have picked out one of the many decorative blocks in the quilt to share with you as the end note for this post:

Detail 13 of Sashiko Sampler Quilt by Jennifer Zanetti

Enjoy!

Carmen

Counting Threads

Hi everyone

I hope you’re having a great weekend. In this post I’m going to share two works that use different counted thread techniques.

Blackwork

The first uses Blackwork which is an embroidery technique that dates back to at least the 16th century. It’s also called Spanish Blackwork because it’s thought that it was first brought to England by Catherine of Aragon. It became very popular during the reigns of Henry VIII and Elizabeth I as a decorative element on clothing but gradually lost ground in the 17th century.

If you’ve read The Canterbury Tales by Geoffrey Chaucer you might recall that he describes the clothing of the miller’s wife in this way:

“Of white, too, was the dainty smock she wore, embroidered at the collar all about with coal-black silk, alike within and out.”

The stitches that are characteristic of this geometric technique are Double Running Stitch (also called Holbein Stitch) and Back Stitch. It’s usually stitched on an evenweave fabric.

Flight of a Butterfly

Flight of a Butterfly  is a beautiful Blackwork and Goldwork design stitched by Sharon Burrell. Sharon began this piece as part of a class with Tanja Berlin at the 2013 Koala Conventions. She says that it was the first time she’d done any Blackwork and she absolutely loved the experience because Tanja was such a fantastic teacher. Sharon also found Tanja’s class notes really helpful for finishing the embroidery after the class.

Here’s some awesome eye candy of Sharon’s lovely stitching:

Flight of a Butterfly stitched by Sharon Burrell

Detail 1 of Flight of a Butterfly stitched by Sharon Burrell

Detail 2 of Flight of a Butterfly stitched by Sharon Burrell

Exquisite!

Now to the  second counted thread technique……

Wessex Stitching 

When I first came across this technique I thought it looked a bit medieval and assumed it must be very old. The ‘Wessex’ name also adds to the aura of history because during the Anglo Saxon period it was a centre for embroidery and illuminating.

But no it’s actually a more recent style that was created by Mrs Margaret Foster (1843-1936) who lived in Bath, England. Very little is known about her life but her technique, Wessex Stitching, has endured because after her death her sister donated all her notes and the 300 pieces she developed for an exhibition to Gawthorpe Hall.

Gawthorpe Hall has an awesome collection of lace, embroidery and other textiles. It is absolutely on my bucket list. You can read more here.

Wessex Stitching combines a limited number of stitches in a wide variety of patterns and colours to create a decorative effect. It’s also usually stitched on evenweave fabric.

The Broken Window

We’ve been progressively sharing with you the postcards made for 2014 Creative Challenge  Stitching Love and Hope. The postcard we’re sharing in the post is a wonderful modern re-interpretation of the WW1 Silks.

It was created by Catherine Fetherston and is called  The Broken Window. It was inspired by photos of church ruins in France in WW1. The embroidery technique used is Wessex Stitching.

I find this postcard very moving and profound in its understated elegance. The colours and design Catherine has chosen are very evocative of a stained glass window fragmented and yet still splendid in its beauty.

Here are some photos:

2014 Creative Challenge Postcard by Catherine Fetherston

Detail 1 of 2014 Creative Challenge Postcard by Catherine Fetherston

Detail 2 of 2014 Creative Challenge Postcard by Catherine Fetherston

What do you think?

Enjoy!

Carmen